A Quote by Samuel Johnson

A man who exposes himself when he is intoxicated, has not the art of getting drunk. — © Samuel Johnson
A man who exposes himself when he is intoxicated, has not the art of getting drunk.
I was supremely happy, for I had seen. Nothing could ever be the same. I have drunk at the clear and pure waters and my thirst was appeased. ...I have seen the Light. I have touched compassion which heals all sorrow and suffering; it is not for myself, but for the world. ...Love in all its glory has intoxicated my heart; my heart can never be closed. I have drunk at the fountain of Joy and eternal Beauty. I am God-intoxicated.
What is important is not getting intoxicated with a good feeling or getting intoxicated even with an insight. These take many forms in our practice. We go through times of great release, where there has been physical holding for what feels like forever, and something opens up and releases.
There is nothing contemptible about an intoxicated man - if it is nothing more than a bookful of words or a roomful of notes that he has got drunk on.
Power intoxicates men. When a man is intoxicated by alcohol, he can recover, but when intoxicated by power, he seldom recovers.
Since the time of the cavemen, man has glorified himself, has made himself divine, and his monstrous vanity has caused human catastrophe. Art has collaborated in this false development. I find this concept of art which has sustained man's vanity to be loathsome.
Delirium tremens in a drunk alcoholic are an unmistakable symptom, but those intoxicated with theories are easily mistaken for geniuses.
“Bella, I've already expended a great deal of personal effort at this point to keep you alive. I'm not about to let you behind the wheel of a vehicle when you can't even walk straight. Besides, friends don't let friends drive drunk,” he quoted with a chuckle. I could smell the unbearably sweet fragrance coming off his chest. “Drunk?” I objected. “You're intoxicated by my very presence.” He was grinning that playful smirk again.
To a worldly man, a God-intoxicated person will appear mad and he will laugh at him, But to the God-intoxicated man, the worldly appear insane, foolish, misled, blind.
I remember in one of my early films I had a drunk scene. It was Kiss Me Goodbye, with Sally Field, and I was playing this kind of nerdy guy who gets drunk and dances. And so I thought, "Oh well, I'll just get drunk and do the dance." And it was wonderful, but then I had the rest of the day, and the next day. So I learned that you don't really have to do the things that your character is doing. But us actors, we use something called sense memory. I've certainly been drunk before, and part of my job is to recall that without getting drunk.
Getting drunk was good. I decided that I would always like getting drunk. It took away the obvious and maybe if you could get away from the obvious often enough, you wouldn't become so obvious yourself.
Amid the seeming confusion of our mysterious world , individuals are so nicely adjusted to a system, and systems to one another and to a whole, that, by stepping aside for a moment, a man exposes himself to a fearful risk of losing his place forever. (Wakefield)
He who confronts the paradoxical exposes himself to reality.
I am drunk, seest thou? When I am not drunk I do not talk. You have never heard me talk much. But an intelligent man is sometimes forced to be drunk to spend his time with fools.
If a man go into the London Docks sober without means of getting drunk, and comes out of one of the cellars very drunk wherein are a million gallons of wine, I think that would be reasonable evidence that he had stolen some of the wine in that cellar, though you could not prove that any wine was stolen, or any wine was missed.
You cannot prevent a man getting drunk if he wishes to do so, but when he becomes a nuisance, then you interfere.
No one can get really drunk on a novel or a painting, but who can help getting drunk on Reethoven's Ninth, Rartok's Sonata for Two Pianos and Percussion, or the Reatles' White Album?
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