A Quote by Samuel Johnson

All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance. — © Samuel Johnson
All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance.
Human feeling is like the mighty rivers that bless the earth: it does not wait for beauty — it flows with resistless force and brings beauty with it.
The wild force of genius has often been fated by Nature to be finally overcome by quiet strength. The volcano sends up its red bolt with terrific force, as if it would strike the stars; but the calm, resistless hand of gravitation seizes it and brings it to the earth.
Evil itself may be relentless. I will grant you that, but love is relentless too. Friendship is a relentless force. Family is a relentless force. Faith is relentless force. The human spirit is relentless, and the human heart outlasts - and can defeat - even the most relentless force of all, which is time.
Mighty is geometry; joined with art, resistless.
I've just always been that kid that was like, "Look at me! Look at me!," and doing performances and skits. I'm also, as most artists are, a very sensitive person, so I need that outlet to release that. Art needs to be in my life, otherwise I can't function as a human being. I heard Madonna say, "Live it, breathe it, eat it." That's how I am with the artistic part of myself.
Ledger art represents a spirit which has lasted through the hardships and turmoil. It is my goal and ambition that this style of pictograph art continues to pay tribute to the perseverance of my ancestors who adapted and created works of art during a period of life changing turmoil and injustice.
History supplied numerous instances to prove that brute force is as nothing before soul-force.
It may be no less dangerous to claim, on certain occasions, too little than too much. There is something captivating in spirit and intrepidity, to which we often yield as to a resistless power; nor can we often yield as to a resistless power; nor can he reasonably expect the confidence of others who too apparently distrusts himself.
The greatest human virtue bears no proportion to human vanity. We always think ourselves better than we are, and are generally desirous that others should think us still better than we think ourselves. To praise us for actions or dispositions which deserve praise is not to confer a benefit, but to pay a tribute. We have always pretensions to fame which, in our own hearts, we know to be disputable, and which we are desirous to strengthen by a new suffrage; we have always hopes which we suspect to be fallacious, and of which we eagerly snatch at every confirmation.
Improvisation is the art of becoming sound. It is the only art in which a human being can and must become the music he or she is making. Improvisation is the only musical art which predicated entirely on human trust and love.
Every type of destruction that human philosophy, human science, human reason, human art, human cunning, human force, and human brutality could bring to bear against this Book, and yet the Bible stands absolutely unshaken today. At times almost all the wise and great of the earth have been pitted against the Bible, and only an obscure few for it. Yet it has stood.
There have been some incidents in which I was threatened and a couple of instances where I had to physically fight. Fortunately, I won in both instances.
For we, which now behold these present days, Have eyes to wonder, but lack tongues to praise.
It is good to be often reminded of the inconsistency of human nature, and to learn to look without wonder or disgust on the weaknesses which are found in the strongest minds.
But how much better, in any case, to wonder than not to wonder, to dance with astonishment and go spinning in praise, than not to know enough to dance or praise at all; to be blessed with more imagination than you might know at the given moment what to do with than to be cursed with too little to give you -- and other people -- any trouble.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
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