A Quote by Samuel Johnson

The richest author that ever grazed the common of literature. — © Samuel Johnson
The richest author that ever grazed the common of literature.
Margaret Atwood was the author who took me out of children's literature and guided me towards adult literature.
I agree that one can't dispense with the reins and the whip altogether, for knaves find their way even into literature, but no thinking will discover a better police for literature than the critics and the author's own conscience.
Great literature must spring from an upheaval in the author's soul. If that upheaval is not present then it must come from the works of any other author which happens to be handy and easily adapted.
Reading literature remains a civilising activity, no matter that it's literature in which people do and say abominable things and the author curses like the very devil. What's at issue is how we describe the way the civilising works.
The land on which the cattle grazed was communal property. It was owned by no one. It was nobody's private farm. It was the common property of the people, shared by the people. So the practice of sharing was central to the concept of ownership of property.
I felt the comics grew because they became the common man's literature, the common man's art, the common man's publishing.
The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
Literature is no one’s private ground, literature is common ground; let us trespass freely and fearlessly and find our own way for ourselves.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
Young adult author Richelle Mead holds the distinction to perhaps be the only author ever to have a book banned... before it was even written.
The work of one author or artist may stimulate another author or artist to push the edge, to take the risk, to go where the field hasn't gone before. The result -very exciting children's literature and art ... exciting both for the professional and for the intended audience, the children.
When I read a novel that I really like, I feel as if I am in direct, personal communication with the author. I feel as if the author and I are on the same wavelength mentally, that we have a lot in common with each other, and that we could have an interesting conversation, or even a friendship, if the circumstances permitted it. When the novel comes to an end, I feel a certain letdown, a loss of contact. It is natural to want to recapture that feeling by reading other works by the same author, or by corresponding with him/her directly.
No one spoke in terms of children's literature, as opposed to adult literature, until around the 1940s. It wasn't categorised much before then. Even Grimm's tales were written for adults. But it is true that ever since 'Harry Potter' there has been a renaissance in fantasy literature. J. K. Rowling opened the door again.
I still pinch meself when I wake up of a morning. Who ever thought I'd be a children's author - let alone a best-selling children's author?
For common minds have an ugly ability to perceive in the deepest and richest saying nothing but their own everyday opinion.
Between the reputation of the author living and the reputation of the same author dead there is ever a wide discrepancy.
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