A Quote by Samuel Johnson
Words too familiar, or too remote, defeat the purpose of a poet.
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Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on small or on coarse occasions, we do not easily receive strong impressions, or delightful images; and words to which we are nearly strangers, whenever they occur, draw that attention on themselves which they should transmit to other things.
Be neither too remote nor too familiar.
Desires must be simple and definite. They defeat their own purpose should they be too many, too confusing, or beyond a man's training to accomplish
When people are too present, too familiar or too in our face, something happens to us psychologically. We begin to tune them out, we begin to get sick of them, we begin to know them so well and become so familiar with who they are that we loose a bit of respect for them. You pass a certain threshold with the fact that you're too present in their lives, too much in their face and once that threshold is passed you're never going to repair it they have lost a certain respect for you.
When The Fall pummeled their way into my nervous system, circa 1983, it was as if a world that was familiar - and which I had thought too familiar, too quotidian to feature in rock - had returned, expressionistically transfigured, permanently altered.
The imagination of man is naturally sublime, delighted with whatever is remote and extraordinary, and running, without control, into the most distant parts of space and time in order to avoid the objects, which custom has rendered too familiar to it.
Get too conceptual, too cute and remote, and your characters die on the page.
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
I'm fighting against the bad poet who is prone to using too many words.
I have loved badly, loved the great Too soon, withdrawn my words too late; And eaten in an echoing hall Alone and from a chipped plate The words that I withdrew too late.
I am an ordinary human being who is impelled to write poetry. ... I still do feel that a poet has a duty to words, and that words can do wonderful things, and it's too bad to just let them lie there without doing anything with and for them.
Words are not too old, only people are too old if they use the same words too frequently.
When something is too beautiful or too terrible or even too funny for words, then it is time for poetry.
I was too old, too young, too fat, too thin, too tall, too short, too blond, too dark - but at some point, they're going to need the other. So I'd get really good at being the other.
I hate going to the gym and doing it the old-fashioned way. I hate anything that's too straightforward, too routine, too familiar. I get bored really, really quickly.
Imagination in a poet is a faculty so wild and lawless that, like a high ranging spaniel, it must have clogs tied to it, lest it outrun the judgment. The great easiness of blank verse renders the poet too luxuriant. He is tempted to say many things which might better be omitted, or, at least shut up in fewer words.
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