A Quote by Samuel Johnson
Time is, of all modes of existence, most obsequious to the imagination.
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The prevailing attunement is at any given time the condition of our openness for perceiving and dealing with what we encounter; the pitch at which our existence is vibrating. What we call moods, feelings, affects, emotions, and states are the concrete modes in which the possibilities for being open are fulfilled. They are at the same time the modes in which this perceptive openness can be narrowed, distorted, or closed off.
Measure, time and number are nothing but modes of thought or rather of imagination.
If the many and the One be indeed the same Reality, then it is not all modes of worship alone, but equally all modes of work, all modes of struggle, all modes of creation, which are paths of realization. No distinction, henceforth, between sacred and secular. To labour is to pray. To conquer is to renounce. Life is itself religion. To have and to hold is as stern a trust as to quit and to avoid.
If there is existence, there must be non-existence. And if there was a time when nothing existed, there must have been a time before that - when even nothing did not exist. Suddenly, when nothing came into existence, could one really say whether it belonged to the category of existence or non-existence?
Those men are most apt to be obsequious and conciliating abroad, who are under the discipline of shrews at home.
Evaluations, in essence, are... ways of being, modes of existence of those who judge and evaluate.
St. Pope John XXIII called for the Second Vatican Council because he understood, as no Holy Father had in a long time, religion spoke to and found its language and symbols - its entire sense of the sacramental nature of existence - in the imagination that reveals not just the penalties of living, but the wonder and awe of our existence.
Only in men's imagination does every truth find an effective and undeniable existence. Imagination, not invention, is the supreme master of art as of life.
Time, among all concepts in the world of physics, puts up the greatest resistance to being dethroned from ideal continuum to the world of the discrete, of information, of bits.... Of all obstacles to a thoroughly penetrating account of existence, none looms up more dismayingly than 'time.' Explain time? Not without explaining existence. Explain existence? Not without explaining time. To uncover the deep and hidden connection between time and existence ... is a task for the future.
The focus of all life is its economy, the mode through which every living creature produces its material existence. I know no other criterion for the evaluation of social life except that of social economy. In society, just like anywhere else, the mode of production is the focus around which revolve all the modes of life: in the historical life of conscious beings, it is also the focus of all modes of consciousness.
I think my imagination dictates the technologies I use. But at the same time, my imagination can be technologic. Sometimes I see a tool and I know immediately how to use it, but most of the time I use the tool for an idea I already have.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
the modes of speech are scarcely more variable than the modes of silence.
Substance must itself be said of the modes and only of the modes.
Without imagination of the one kind or of the other, mortal existence is indeed a dreary and prosaic business... Illumined by the imagination, our life, whatever its defeats - is a never-ending unforeseen strangeness and adventure and mystery.
Obviously, as an actor, you have to embrace your imagination all the time, but when you're doing one of these films, you have to embrace your most childlike imagination - a sense of wonder and uninhibited playfulness.
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