A Quote by Samuel Johnson
Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.
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Read over your compositions and whenever you meet with a passage which you think is particularly fine, strike it out.
That's what Samuel Johnson said: "Read over your compositions, and wherever you meet with a passage which you think particularly fine, strike it out."
I read one psychologist's theory that said, "Never strike a child in your anger." When could I strike him? When he is kissing me on my birthday? When he's recuperating from measles? Do I slap the Bible out of his hand on Sunday?
Men of wit, learning and virtue might strike out every offensive or unbecoming passage from plays.
When you strike a blow, do not let your mind dally on it, not concerning yourself with whether or not it is a telling blow; you should strike again and again, over and over, even four or five times. The thing is not to let your opponent even raise his head.
When the time comes to you at which you will be forced at last to utter the speech which has lain at the center of your soul for years, which you have, all that time, idiot-like, been saying over and over, you'll not talk about the joy of words. I saw well why the gods do not speak to us openly, nor let us answer. Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?
Remember that the pharynx is at a crossroads from which leads off, at the top, the passage to the mouth cavity and the passage to the nasal cavity, and below, the passage to the larynx.
If you wait for your natural soul mate to meet with you, it will be just like waiting for lightning with which to read your Bible. And you will not be able to read much either. For a moment it is there, and by the time you have opened the Bible it is gone.
I am a fan of the compositions of The Beatles, but I don't care for their interpretation of them. But as compositions, I just think that some of them are brilliant and have become standards.
If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.
I have a good friend, Rudolf Serkin, the pianist, a very sensitive man. I was talking to him one day backstage after a concert and I told him that I thought he had played particularly sensitively that day. I said, "You know, many pianists are brilliant, they strike the keys so well, but somehow you are different." "Ah," he said, "I don't think you should ever strike a key. You should pull the keys with your fingers."
No man reads a book of science from pure inclination. The books that we do read with pleasure are light compositions, which contain a quick succession of events.
There wasn't reparative therapy in Corinth. So in this passage I think people came to Christ and experienced a new life in him apart from the therapeutic process. But when it comes to someone pointing to this passage and saying homosexuals changed, well, I'm not sure that's what that passage is referring to.
I don't particularly fall in love with my own compositions, but some of them are decent.
You deal with failure - strike, strike, strike - all the time. Acting is like that. You have to have a very thick skin in a way - your hair is too dark, you're too ugly for the part, your audition wasn't good.
In boundless love as a Christian and as a man I read through the passage which tells us how the Lord at last rose in His might and seized the scourge to drive out of the Temple the brood of vipers and of adders.
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