A Quote by Samuel Johnson

The vanity of being known to be trusted with a secret is generally one of the chief motives to disclose it. — © Samuel Johnson
The vanity of being known to be trusted with a secret is generally one of the chief motives to disclose it.
Being a Secret Service agent, I have an obligation not to disclose personal conversations and security details. But that doesn't prevent me from speaking generally about foundational principles and the system of patronage and punishment I saw in the Obama administration.
Most timidities have such secret compensations and Miss Bart was discerning enough to know that the inner vanity is generally in proportion to the outer self depreciation.
Pride is an established conviction of one’s own paramount worth in some particular respect, while vanity is the desire of rousing such a conviction in others, and it is generally accompanied by the secret hope of ultimately coming to the same conviction oneself. Pride works from within; it is the direct appreciation of oneself. Vanity is the desire to arrive at this appreciation indirectly, from without.
We must never forget that human motives are generally far more complicated than we are apt to suppose, and that we can very rarely accurately describe the motives of another.
Most of the ethical dilemmas that I have faced have all been in the category of, you know, I know something and what's my obligation to disclose it. So, for example, you see people make a mistake in the contract that you're making between the businesses and do you disclose it or do you reveal it? And generally speaking, the way that I solve these is I kind of go through a list of, you know, what's the most, what are the obligations and constituencies and in what order?
There is no secret of the heart which our actions do not disclose.
I've made no secret that although I loved being a legislator, I particularly loved being a chief executive.
Generally speaking, the term, 'vanity,' itself can be perceived as negative, superficial and egotistical, but I see it as being unapologetic for celebrating other sides of my artistry.
I am a journalist and have no earthly motives except curiosity and personal vanity.
It's no secret that me and New York got history. It's no secret. This is no secret. It's already known.
Criticism discloses that which it would fain conceal, but conceals that which it professes to disclose; it is therefore, read by the discerning, not to discover the merits of an author, but the motives of his critic.
Hunger, love, vanity, and fear. There are four great motives of human action.
There is no suffering like a child's, terrified by a secret which it dare not for some reason disclose.
In judging other people's work, particularly short stories, I have noticed how novice writers tell the readers everything about their characters in the first paragraphs, disclose their motives, reveal their recent activities and their future intentions.
One of the chief motives of artistic creation is certainly the need of feeling that we are essential in relationship to the world.
For professional athletes, the motives for cheating generally are more obvious: money, fame, and often a low likelihood of being caught. But why would a middle- or back-of-the-pack runner lie or cheat in a race that doesn't even matter?
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