A Quote by Samuel L. Jackson
I approach my work the way an actor approaches their work. The only difference is that I do comedy, and my job is to make things funny. My style makes things sound like they're improvisational and happening right then and there.
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Picking my topics is sort of a process of elimination for me. Most things don't work for me. I like to cover science and unexpected things happening in labs. Also, theoretical research doesn't work for my style. I need scenes and interactions. Then, humor. I'm having the most fun when I can have fun with my work.
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
I'm doing things that feel good to my soul. I've had plenty opportunity to do other things, but it didn't feel right, and it wasn't right. And if it feels like work, then it's work. But if you have that opportunity to do what you love, and you can make a living out of it, then that's a blessing and I never take that for granted.
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
In order to do a good job a person must like what he or she is doing....'Love thy work', and you will be successful..... If you do things just because you have to, then you will never enjoy work. Nor will you do a good job if you do it simply out of a sense of duty. stress is often a by-product of such passive or negative attitudes toward work. Paradoxically as it may sound, love of work can be the best medicine for workaholism.
It's been a straight strip, I must tell you, I've enjoyed it all the way. If I'm saying things to make it sound like it's hard, hard work, it's not. It's beautiful work. It's fun work. It's everything you'd ever want to do.
Things just happen in the right way, at the right time. At least when you let them, when you work with circumstances instead of saying, 'This isn't supposed to be happening this way,' and trying harder to make it happen some other way.
What's frustrating as an actor, when you want to work hard, you can only work once that phone rings and then you can only work until the production wraps. Then you have to find another job.
A lot of things about my way of leadership is to be vocal, but I try to lead by example - how I approach work and study the game. Do the things the right way. It's a great responsibility I love to have.
I think the occupation of my poetry is akin to this desire to be many things at once - things that sometimes conflict. Regarding how the quotidian makes its way into the work, it's all of it, in a way. Like, when I'm writing poems, I'm just picking up scraps of whatever is happening around me - a geographical location, a love affair failed, the day the air felt like rope.
Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.
I feel like my comedy voice is to take the news and everything that's happening and put a funny spin on it or to pick out the things I find funny about it.
I don't use the word 'rookie' because it just doesn't sound right. Little things go a long way and make a big difference for these young men who are trying to stay and establish themselves in the league. If we can help them out in any way, then that's great.
I approach my work still like an athlete. I have to go to the gym and run or ride the bike and work up a sweat. I need to still get my body right, and, in turn, that will make my mind right. That's how I approach acting.
No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
I'm not a comedian. I don't do stand-up. I don't tell jokes. I'm a comedic actor, and approach my work that way. The comedy comes through the character.
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