A Quote by Samuel L. Jackson
I don't run around shooting people. Much. I only shoot two people a year. Maybe.
Related Quotes
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
The NYPD must stop acting like the only thing black people do is run from them and shoot at them. Believe it or not there are some black New Yorkers who won't run and can't shoot -- they're called the #? Knicks .
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
I can't relate to the people who shoot wolves. I'm guessing the person who shot Wolf 06 wouldn't relate much to me either. You let people go out and shoot hundreds of wolves and watch violent movies, and then you're surprised when they go on a rampage shooting other humans. You can't separate violence like that.
It's impossible for one or two people to go out and shoot a narrative film; you need to have a cast, the person shooting sound, whatever. But you can legitimately have a couple people and go and do a documentary.
I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
Maybe I was always more than one person, or even two. Maybe being on TV was just my job. People find it hard to get their heads around that. A couple of times I have shone a light on the other sides of my life, but I have learned to be cautious about that. Because people are only comfortable with the Noel Edmonds they see on television.
On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
Seventh grade is when I met my shooting coach and he fixed my shot. I used to shoot with two hands. Really ever since is when my I started to shoot real well.
I know people who have a much better recollection of their childhood than I do. They remember very well when they were a year and a half and two years old. I've only one or two daguerreotypes that come to mind.
I was constantly shooting. Sometimes I would shoot through the night and in the morning go to my next shoot without any sleep or just two hours of sleep.
Thousands of people come to LA every year, and some of them just disappear. Somebody gets them. In the States around 100,000 people vanish each year. I don't know what that means. Maybe there's something that just pulls 'em out.
In Canada there's an extensive grant system that really allows people to make their work without having to suffer that much, and I'm staring to come around on that, that maybe people don't have to suffer. Maybe you can just not be unhappy and make beautiful music in Canada, maybe that's ok.
This year we plan to run and shoot. Next season we hope to run and score.
I did grow up in a very small town, and I only had a couple of people in my year at school. There were a lot of kids to play with - maybe not the same age, but there was always someone around.
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