A Quote by Samuel L. Jackson
When I saw the script [of The Man], I saw the character and knew I could do the character. It's a relationship movie, which is also what I love to do. That's what attracts me to projects.
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I'm a character and relationship guy, and even with the 'Saw' films, it's special-effects people's jobs to create these scary things. It's not my job. My job is to bring some sense of humanity to the character, no matter how evil he may be. The script is going to take me there.
I enjoy being a character actor; I enjoy being different in everything. I want a private life; I want to be able to go to 7-11 and not get into a fight with a guy because he saw me in a movie, or not have people hitting on me simply because they saw me in a movie.
People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.
My older brother always tells me I changed as a person when I saw 'Ace Ventura.' Because when I saw 'Ace Ventura', I became obsessed. I watched the movie as many times as I had to - back then, you couldn't go on the Internet and find the script - so I watched it as many times as I could to write my own script of 'Ace Ventura.'
She saw Valentine's eyes as the sword hurtled toward her; it seemed like eons, though it could only have been a split second. She saw that he could stop the blow if he wanted. Saw that he knew it might well strike her if he didn't. Saw that he was going to do it anyway.
I've seen 'Absentia,' which was amazing. I loved 'Absentia.' I loved that for no money, he was able to make a movie about something that you never saw. You never saw the bad guys. That was amazing to me. You never saw what you were supposed to be afraid of; you just knew you were supposed to be afraid of it. It was a phenomenal movie.
If you'd asked me then if I saw how big 'The Steve Harvey Morning Show' was going to be, I couldn't tell you. But I knew I could reach people not as a character but as Steve Harvey, because although I tell jokes for a living, I've also lived, and I think I can relate to you more than you know.
If you'd asked me then if I saw how big "The Steve Harvey Morning Show" was going to be, I couldn't tell you. But I knew I could reach people not as a character but as Steve Harvey, because although I tell jokes for a living, I've also lived, and I think I can relate to you more than you know.
The trick to acting is not to show off; it's to think the thoughts of the character. I was lucky because when I started acting, it was doing jobs above pubs. I learned to act in anonymity, so by the time people saw me, I knew what I was doing. I was crap for years, but no one saw me being crap. It's a trade you learn.
I grew up believing that one person could make a difference. In Indiana, you saw that with basketball. The small town could beat the big town, like in the movie Hoosiers. That is one of the things that attracts me to entrepreneurs.
Having grown up Protestant, I was unfamiliar with St. Francis. Then I watched the movie Brother Sun, Sister Moon... I just became fascinated with the character of St. Francis. What I saw in that movie was a man who had fallen in love with God, someone for whom God was everything.
Having grown up Protestant, I was unfamiliar with St. Francis. Then I watched the movie 'Brother Sun, Sister Moon'... I just became fascinated with the character of St. Francis. What I saw in that movie was a man who had fallen in love with God, someone for whom God was everything.
After my second marriage failed... I said, 'You know, could I have a relationship with a man? A loving relationship with a man that would involve intimacy?' For a while, before I did get into a relationship, I saw, for a few years, either women or men. And I found that I could be attracted to both.
My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.'
My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.
In Eden I "saw" that Adam or Eve probably spoke each word FOR THE FIRST TIME and that seemed wild and seemed to me that that might have brought them to some essence of language. Once I "saw" the city, I knew it was real. once I saw that a poem was a house, i knew it was real and could go back to it or else write a flurry of poems around it, both worked.
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