A Quote by Samuel L. Jackson

I enjoyed being at Jurassic Park, with Jeff Goldblum and Sir Richard Attenborough. It's funny, because Steven Spielberg would actually operate the camera sometimes. He'd consider the camera, and he'd be kind of looking at me. He actually shot a few of the things that I'm in, in that lab, with that long ash dangling off that cigarette. Hogging that fake cigarette. Because I had quit smoking, and he wanted to make sure I didn't go back, so he got me the worst-tasting fake cigarettes ever.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
Unfortunately, once I did learn to smoke, I couldn't stop. I escalated to two packs a day very quickly, and stayed that way for about ten years. When I decided to stop, I adopted the method that my father had used when he quit. He would carry a cigarette in his shirt pocket, and every time he felt like smoking, he would pull out the cigarette and confront it: "Who stronger? You? Me?" Always the answer was the same: "I stronger." Back the cigarette would go, until the next craving. It worked for him, and it worked for me.
I believe that I would not have smoked had I seen a label on a cigarette package or in a cigarette ad that said 'Warning: Cigarette smoking may cause death from heart disease, cancer or emphysema.'
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
There's a fake Facebook me. There's a fake me Twittering. Sometimes, when it was at the height of right-wing nonsense picking on me, there would be a fake me writing letters to the editor. Just totally not even something I've ever said, that will then become part of the echo chamber.
I wanted young women to know that I was very lucky that I worked for people who literally let me be me. If I had ever been anyone other than me, I would have come off as a fake, a phony, a fraud, and never would have gotten where I ultimately ended up. You can be yourself and be in politics, and they should know that. That was kind of why I wanted to do it - because I didn't see any freaks in politics like me.
I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.
I don't think fake people living in a fake house in a fake suburb are any less dismissible or believable than a fake psychic attending a fake school in a fake town. Nothing's inherently believable about any kind of fiction, because all of it's untrue.
Zooming in, zooming out. I was shocked. I said, "Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera." He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.
It's funny, because I was trained as a dramatic actor at New York's Colonnades Theater Lab in the '70s, along with Jeff Goldblum, Danny DeVito and Rhea Perlman. People I worked with there saw a comedian in me. I'm still most at home in comedy.
Fake is not a word I like to use because there's nothing fake about what I do. It's a show, it's a predetermined outcome; we're putting on a television drama, action, comedy, whatever you want to call it - but it's not fake. Fake would be if I was just about to take a body slam, and my stuntman did it. Fake would be if I was going to take a chair shot to the head, and the chair was made of rubber. I'll tell the world that it's a show, but I hate the word fake. It's such an unfair term to us.
I would say Steven Spielberg is family to me. He's a genius. We survived a hurricane together. I ran from half-puppet,half-nothing creatures. It was months of our life as family. It was the wildest film, Jurassic Park, I'd ever worked on that way.
I've always been able to fake my way into confidence. Sometimes I put my own fears aside to make sure I'm being of service to others. To clarify - hell yes, it was brave of me to step out in my lingerie for the commercial compaign, not because I'm plus-sized, but because I'm a human being. People get it confused. I'm brave because I'm not afraid of what people are going to say about me. It's not an easy thing to do, but it is something that I will always challenge myself to do. I don't want to be held back by my body because someone tells me I should.
When I got the camera on the shoulder, they give me a nickname. They call me 'the tripod' because I'm kind of short and kind of strong. So if I take the camera and I lock myself, you think that you're on a crane.
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