A Quote by Samuel L. Jackson

I act the way I talk. It probably comes from starting out in Second City, improvisational theater. I can go from take to take. I'll ask for another take. — © Samuel L. Jackson
I act the way I talk. It probably comes from starting out in Second City, improvisational theater. I can go from take to take. I'll ask for another take.
Making mistakes doesn't mean that what you did was a failure, or the wrong take. It was just a 'mis-take.' You need to go back and do another take. In each take there is a lesson.
After the editing room, I go and take a nap. I'm not in the practice of writing, and I feel like I'm flabby, and I have to start arriving at the desk every day, and take off one hat and put on another one. So I'm starting, but it's very sloooow.
Constraint theory argues a number of things. First, that the impossible has to be identified. Second, that the actor is then constrained by circumstances to act a certain way. For example, should we invade ISIS? Can we invade ISIS? What would it take to invade ISIS? Once you ask that question you discover the price of that option and then you take a look at American politics and see that the country is probably not prepared to invest the 2 to 3 million people that it would take to defeat ISIS and the insurgency afterwards. All right, so that's not going to happen.
We are dealing with the best-educated generation in history. But they've got a brain dressed up with nowhere to go. Science is all metaphor. In the information age, you don't teach philosophy as they did after feudalism. You perform it. If Aristotle were alive today he'd have a talk show. If you don't like what you are doing, you can always pick up your needle and move to another groove. If you take the game of life seriously, if you take your nervous system seriously, if you take your sense organs seriously, if you take the energy process seriously, you must turn on, tune in, and drop out.
Who, I ask you, can take, dare take, on himself the rights, the duties, the responsibilities of another human soul?
I go out to take a walk, I see something, I take a picture. I take photographs. I have avoided profound explanations of what I do.
It's possible to think of photography as an act of editing, a matter of where you put your rectangle pull it out or take it away. Sometimes people ask me about films, cameras and development times in order to find out how to do landscape photography. The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission, it's not about going out there like some paparazzi with a Leica and snapping a few pictures, before running off to print them.
A great thing, which I don't do enough, is to take a break from producing and try to just take stuff in, like go to the theater.
The way you have to think in chess is good for everyday thinking, really, especially for brothers in the urban community who never take that second look, never take that second thought.
And when you take something like the changing colour of autumn leaves and start to ask why, you're starting off on an intellectual journey which will take you beyond that moment of visual satisfaction, while robbing nothing from that experience.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
The way I wrote it is a nice and enjoyable way to write stories, to pretend to say something when you're really saying something else. "Hey guys, come, I'll take you a football match." They all come - and you suddenly take them to watch theater play on the stage instead. In Istanbul Istanbul, I pretend to talk about torture and politics, but I don't actually. Instead I talk about hope and hopelessness, darkness and light, good and evil, love and separation.
Take my love, take my land Take me where I cannot stand I don't care, I'm still free You can't take the sky from me Take me out to the black Tell them I ain't comin' back Burn the land and boil the sea You can't take the sky from me There's no place I can be Since I found Serenity But you can't take the sky from me.
Men give up one thing to take up another, but in spite of numerous changes they do not find peace. They are no better than monkeys who let go one bough to take hold of another, only to let it go again.
If you take one rivet out of an airplane, it will be all right, it'll keep flying. You take another rivet out of the airplane and it still flies. So what the heck, let's take more rivets out of the airplane, and sooner or later, the airplane drops from the sky.
Everybody can't come to New York and take the hits, take the hits of the city, take the hits of the media, take the hits of the fans. It's real.
This site uses cookies to ensure you get the best experience. More info...
Got it!