A Quote by Samuel L. Jackson

Quentin Tarantino was talking about Ordell a little bit, and I was like, "I'm sure Ordell is one of those people who thought Superfly was the greatest movie ever made." So he cuts his hair and straightens it, but he never has enough money to maintain it perfectly. So it's kind of nappy around the edges, straight and kind of puffed up. That's why he'd always keep it in a ponytail or a braid. We were just having fun and creating a distinctive character.
There's no one out there like Quentin Tarantino. His films have a signature look, and they never just stick to the same kind of story.
I like Quentin Tarantino, especially the early films, but I'm a big fan of Billy Wilder and Preston Sturges... you know, people were writing great dialogue back then. It's as if people only have the memory of the last 15 years. So, before Tarantino no one was writing witty dialogue? That's ridiculous. Why do we have to keep referring to Tarantino?
I think on 'ER,' my other long-running show, I had some ideas about what's going on. 'Stargate Universe,' they were kind of secretive too a little bit about what they wanted to do, but I kind of liked working this way. I like the surprises, and I like knowing just enough to work on the character.
Honestly, I'm one of the ones who is least like my character, just because I like to make people laugh and have a good time-and be kind of fun and silly. Jake is very composed, has his guard up, and is a bit damaged. But Cory Monteith is pretty much like Finn. I think they both kind of have that goofy sense of humor. Cory is so hilarious in his everyday life, just like Finn is.
Ennio Morricone is royalty. He doesn't really do this a lot and Quentin brought him back [in Hateful Eight]. Quentin [Tarantino] basically went back and made his The Good, The Bad and The Ugly-kind of film, the ultimate epic spaghetti western, and then you've got mister spaghetti western himself scoring your movie. It's gonna be hard to not vote for him in a landslide. Probably the easiest win of the night.
American movie audiences now just don’t seem to be very interested in any kind of ambiguity or any kind of real complexity of character or narrative - I’m talking in large numbers, there are always some, but enough to make hits out of movies that have those qualities. I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
When I was a Laker Girl, I only danced for three months. We did not get paid that much money, and I was working two jobs at the time. I thought that it would be a little more fun, but it was quite stressful. It's all about your weight, your hair, having the right hair extensions, what to wear, the kind of shoes you wore.
Just when you look around and you see people with straight hair in media, you kind of feel the need to fit in, so it's kind of a constant battle loving my hair. It's something that I'm continuously working on.
Had we had all the money in the world to spend and we were doing another studio movie, we probably would have jumped quickly into the Necromonger universe and done an Orpheus Descending movie there. We didn't have that kind of resource. So, we said, this time, "If not that, this time, then what is it? What does this new movie look like?" Quickly, just in talking about it very simply with Vin [Diesel] in his kitchen, we decided on a survival, left-for-dead story, where Riddick could, as a character, reclaim the animal side.
I didn't realize the connection between the mullet and success. For sure, you have to have a little bit of hockey hair - a little bit of flow, as they say. A lot of guys have fun with their hockey hair, so I'll try to keep it a little long.
A script arrived, and on the front cover - scrawled really big, as if it were a book report - is 'Django Unchained, written by Quentin Tarantino.' And I thought, 'Well, no art department came up with this; this is Quentin's writing.'
Witches are the kind of more traditional, home and family, craft people - so they're the ones who are making things; crocheting shawls and things like that. But then they also have that slightly confident, dangerous, edge. I always see them as having very extreme hair, either amazingly beautiful straight hair or kind of wild.
To be honest, I deliberately tend not to post things like 'I'm having a relationship' or where I live. I'm a bit reluctant to keep this kind of information up to date because people are inclined to see things like that as statements, and I rather keep a little bit of privacy, if possible at all.
I never thought about the gayness. Liberace just looked like he was having so much fun. And that whole idea of talking directly to the audience, you just went along with him. He made you happy. And he's finally getting acknowledged for all the Elton John, Lady Gaga, Madonna theatrics now that people are looking at his old costumes.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
This site uses cookies to ensure you get the best experience. More info...
Got it!