A Quote by Samuel L. Jackson
We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.
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We [me and Eugene Levy] both try to play the reality of a moment and don't try to impose humor on something where it doesn't belong. Contrary to what other people seem to think sometimes.
In the first two projects I've worked on professionally, I've been doing ensemble work with other young women, which I think is pretty cool. And they both were directed by and written by women. It's been a wonderful experience of real ensemble support and women lifting each other up, and I feel really lucky for that.
The thing I get the most [in public] is, 'Hey, Eugene.' You know what I mean? There's no catch phrase like: 'What a week I'm having.' People will actually just say, 'Hey, Eugene' or 'Hi, Eugene.' It's a great thing; they feel that comfortable calling me by my first name. It's not being forward. It depends how you say it. I think they can't help themselves. They think they know me. I find it gratifying.
It was such a pleasure to work with Eugene Levy. What a treat. That's a guy I grew up watching as a kid. Guys like that, they were hilarious and didn't have to be super vile or X-rated.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
It is very, very rare where a slight that turns into a grudge that is in need of forgiveness is only about one of the parties. In most of our day-to-day situations - with colleagues at work, with your partner, with your children, with your friends - most of the time, if you really got down with each other and put aside your pride and your defensiveness and you had those hard conversations, you'd find a place where both people had something to ask for forgiveness from the other and to forgive the other.
The work I did with Artists Collective led me to a scholarship at Uconn... It led to me getting a scholarship at the Eugene O'Neill Theater Center and a scholarship at Trinity Rep in Providence.
Eugene Levy is my closest friend.
We opened a theater in 2006 called Loft Ensemble in Sherman Oaks. And we write our own plays and do goofy characters and pack a whopping 20 people per night to watch our work.
For me, it's a voyage of self-discovery. I'm able to go on a set and to explore situations, personalities, people and characters that are close to me, or maybe not. Through going there and experiencing these different people and their situations, it helps me to get oriented and develop as a human being. So, acting is fundamental to who I am.
Eugene Levy and Catherine O'Hara are two of my favorite actors.
The way people respond to struggles or express their feelings in difficult situations are very different. I like imagining how characters would react in certain situations.
I've done a lot of pictures that are ensemble, and I've not always liked the people I was working with, but that doesn't make any difference because you do the job, and often it turns out to be a great ensemble even if you didn't particularly really like anybody.
The pieces of "Please Give" just did fit together. I'm very comfortable with the ensemble. I thought this was just going to be a movie about this girl who gives mammograms. She's the lead. And then before I know it, she's got a sister, neighbors, and sometimes parents and friends and then it's an ensemble. And that's what I'm comfortable with, I guess.
I had begun my professional career when I was 9 years old at the Cleveland Play House, and it was a very specific, real theater sort of like, you know, in England and the Berliner Ensemble - very devoted people. And I thought the theater was the greatest place I had ever been, and that's what I wanted to do.
Eugene Levy is such an incredible legend. He's truly Jim's dad from 'American Pie.' He's the kindest, most fatherly man, who is just concerned about everyone and making sure they're comfortable on set.
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