A Quote by Samuel L. Jackson
We [me and Eugene Levy] both try to play the reality of a moment and don't try to impose humor on something where it doesn't belong. Contrary to what other people seem to think sometimes.
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We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.
There's always this joke that I say in Israel: people don't really have discussions; they just try to convince the other people that they are wrong or they are right - they just try to impose their opinion on the others. Sometimes I think it's easier to avoid talking about things and just make music.
In our constant search for meaning in this baffling and temporary existence, trapped as we are within our three pounds of neurons, it is sometimes hard to tell what is real. We often invent what isn't there. Or ignore what is. We try to impose order, both in our minds and in our conceptions of external reality. We try to connect. We try to find truth. We dream and we hope. And underneath all of these strivings, we are haunted by the suspicion that what we see and understand of the world is only a tiny piece of the whole.
Sometimes I have to criticize guys to try to make it fun, I mean, I'm out there trying to bust other people. I want all these guys to do well, but when they do something stupid or don't play well, I try not to kill 'em, I try to make 'em laugh a little bit.
So much of being an actor is trying to force yourself into these roles and sometimes it's a good fit, and sometimes it's not a good fit... you have to get clear about what it is that you do and not try to be a bunch of other people. Not try to be that guy or try to play that part; find the roles that you do well.
I don't try to do anything. I think the moment that I'm like, "Oh, I have to be this way or that way" is the moment that I become sad, or maybe an asshole. So I just try to be myself and put out what is most natural. But I think I am - I mean, I've seen a lot, been through a lot. But something remains sort of naïve within me. And I just try to nurture that.
I hear something I like, and sometimes, I think it's gonna work, and I will cut it up, try it out, try to work with other material. Sometimes, it falls flat, and other times, it works out, so in that way, I'm constantly listening to music because I enjoy it.
My objective is that I don't try to do the same thing. I try not to emulate something I've done before. And, I'm a real people watcher, so I like trying to play characters that are as diverse from each other as possible, simply because it's more fun for me, actually.
The nobles and the noble Houses maneuver for advantage. They do things they think will help them, or hurt and enemy, or both. Usually, it's all done in secrecy, or if not, they try to make it seem as if they're doing something other than what they are.
I'm a fan of Kobe and LeBron. People always try to make me pick one or the other, but I think they're both great. They both deliver.
My game plan - doesn't matter who I play - is to play on my terms, to control as much as I can, to try to get control of the centre of the court, to try to dictate and make them move, to be their director rather than letting them impose their game on me.
Sometimes you meet someone, and they seem great, they seem exactly what you're thinking of for the role, and then you put a camera on them, and they freeze. And other people come to life with the camera on them. I haven't discovered any reliable predictor for that; I think you just have to try it and see what happens. And, you know, sometimes the people who freeze, if you find the right magic word to say to them, you can unlock them.
When the religious principles, like the philosophical, are translated into reality, sometimes the reality forces violence on you, and there is no escape from it, and then I don't think it's something you should try to hide your face from.
For me, mood is something you have to ignore. I try to put myself in that position when I'm shooting and try to react the way I would. I try not to play funny if it doesn't call for that.
These days I just can't seem to say what I mean [...]. I just can't. Every time I try to say something, it misses the point. Either that or I end up saying the opposite of what I mean. The more I try to get it right the more mixed up it gets. Sometimes I can't even remember what I was trying to say in the first place. It's like my body's split in two and one of me is chasing the other me around a big pillar. We're running circles around it. The other me has the right words, but I can never catch her.
I think that you try to raise the bar on whatever you do because you know, in this day of having to deal with a lot of reality TV, people say that scripted programming is dying, so you have to try to create something that can live in people's minds, long after they see it.
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