A Quote by Samuel L. Jackson
All movies aren't fun; some are hard work. You try to do something and convey a set of emotions that have to do with some real life kind of stuff.
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Day-to-day life is a lot of work. I work a lot on stand-up stuff, and then day-to-day life and, you know, just living. It's always different. Try to work out, try to stay in shape, and try to have some fun.
I think I wanna do some action stuff down the road. I wanna kill some aliens. Something real fun, you know? Just a big, fun movie.
Often creativity comes from a very pragmatic kind of "well, what if we try this. How about this." You set some parameters and then work through the variations. It's hard to see something as a concept. It literally comes out of the hands on experiment.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
Scouting is like CIA work and investigative work. You create a lot of stuff and try a lot of stuff. Some works and some doesn't. I try to get creative.
It's so hard to do anything that doesn't owe some kind of debt to what Stanley Kubrick did with music in movies. Inevitably, you're going to end up doing something that he's probably already done before. It always seem like we're falling behind whatever he came up with. "Singin' in the Rain" (1952) in "A Clockwork Orange" (1971) - that was the first time I became so aware of music in movies. So no matter how hard you try to do something new, you're always following behind.
I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
Movies are hard to make, and you have to work toward a common ethic and do your best. You don't want to work with people who don't care or who are acting out some neurotic, crazy thesis on the set.
One lesson I learned the hard way, early in my career, was that if I tried to write to be smart or to convey a theme or from some existing plan, the result was usually pretty boring. My intuitive move, whenever I'm considering writing something, is to steer towards what feels enjoyable. Another way of saying it is, you just try to avoid the "sucky." If you start to think of a story and a way to tell it, and your reaction is kind of like, Ugh, that's going to be hard, then you don't want to do that.
That scene that I have with Brad Pitt in Meet Joe Black is one of my favorite scenes that I've ever done. He's very modest. He's a real hardworking actor. I think he was going through something difficult at that time, and he never brought his personal stuff - not once! - on the set. He was a real pro. I remember doing that scene, and as I was acting, I thought, "I understand why this guy's a movie star." Because there was just something that he did when the cameras rolled. There was some kind of energy that was really magnificent, a real aura about him.
There are a lot of movies out there that I would hate to be paid to do, some real demeaning, real woman-denigrating stuff. It is up to women to change their roles. They are going to have to write the stuff and do it. And they will.
There are some things you can't unsee, and there are some movies you can't get off IMDB no matter how hard you try.
To me, the fun part of both jobs is to always try to push the discussion and debate forward in some way. The most fun part of being a theater critic for the Times was always to try and champion something that maybe other people didn't like, or that was produced under obscure circumstances or had to fight for its life. And I would say in the column what I try to do is in some ways related in that I'm trying to fight for a point of view. I'm not trying to be a kingmaker in either job, and don't want to be, and shouldn't be.
I'd like it to be remembered as you had some fun. We're only here [living] for some fun. I think if you learn something, all well and good, but we're only here to give you some fun. Along the way, you may find out something.
If you work hard at anything, you're going to experience some success. And the greatest gift is when you have something you really love to do and you can integrate that into your work life. I feel like it's a real privilege that I get to do something that is good for my community and good for the world. But it's also pleasurable for me.
We've been playing a lot with television. We have some shows set up and then some new shows that are about to be set up. That's gonna be kind of a fun thing for us as producers.
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