A Quote by Samuel Lover
There was a place in childhood that I remember well, And there a voice of sweetest tone bright fairy tales did tell.
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I have a daughter, Hanna, and I never read fairy tales to her. But I did tell her bedtime tales and made up many tales involving 'Gory the Goblin' and other creatures that I borrowed from the Grimms' tales and other tales I knew.
I did translations of Grimms' Fairy Tales and became very charmed about that way of looking at things. Fairy tales tell a lot of truths. Just as a side point, for instance, we always think the bad guys in fairy tales are the stepmothers, who are witches. But where are the fathers when the witches are killing and mishandling their children? Away. They are on a business trip. They are hunting, they are away. Wow, you know! No one says the fathers are the bad guys! It's one of the things you don't say. But my goodness, where are they?
In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.
I didn't like fairy tales when I was younger. I found a lot of fairy tales scary. They really didn't sit well with me.
I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
The fact that fairy tales remain a literary underdog - undervalued and undermined - even as they shape so many popular stories, redoubles my certainty that it is time for contemporary fairy tales to be celebrated in a popular, literary collection. Fairy tales hold the secret to reading.
I think almost everybody enjoyed fairy tales when they were young, tales of witches and ogres and monsters and dragons and so forth. You get a little bit older, you can't read fairy tales any more.
The unsparing savagery of stories like “The Robber Bridegroom” is a sharp reminder that fairy tales belong to the childhood of culture as much as to the culture of childhood... They capture anxieties and fantasies that have deep roots in childhood experience.
You and I who still enjoy fairy tales have less reason to wish actual childhood back. We have kept its pleasures and added some grown-up ones as well.
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
I have very happy memories of fairy tales. My mother used to take me to the library in Toronto to check out the fairy tales. And she was an actress, so she used to act out for me the different characters in all these fairy tales.
When fairy tales are written in the west, they're known as folklore. In the east, fairy tales are called religions.
Fairy tales are my natural language. I feel at ease telling fairy tales like a fish feels in water. I am totally free.
Every kid loves fairy tales, stories of witches and giants and magicians. Then, when you get a little older you can't read fairy tales anymore.
I love fairy tales because I think that behind fairy tales, there is always a meaning.
I grew up with Bible stories, which are like fairy tales, because my father was a minister. We heard verses and prayers every day. I liked the gorier Bible stories. I did have a book of Chinese fairy tales. All the people except the elders looked like Italians. But we were not a family that had fiction books.
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