A Quote by Samuel R. Delany

I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn't black. — © Samuel R. Delany
I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn't black.
If I hear dance music, my body starts to move. Whatever the dance music is, I can't help it. With all that, I still felt, well, rock is a little higher art, but it wasn't. Right now, because I have so much experience with dance charts, I started to realize that it's incredible art. This is going to be known one day as high art.
A real New Yorker is always someone who came here from somewhere else to avoid some kind of persecution, often sexual-preference based, or to be discovered in one of the infinite-though-no-longer-thriving alternative scenes, i.e. theater, music, dance, vaudeville, art, drag, or, in those of the greatest egos, to be 'the next Andy Warhol.'
As long as black people preserve their culture in Harlem, Harlem will always be alive.
Art is a form of experience of the person, the place, the history of the people, and as black people, we are different. We hail from Africa to America, so the culture is mixed, from the African to the American. We can't drop that. It's reflected in the music, the dance, the poetry, and the art.
Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
My vision for G.O.O.D. Music is just carrying on with the tradition of putting out high-quality music, high-quality art. G.O.O.D. Music is entrenched in the culture of hip-hop. It's entrenched in the culture, period.
There is no monolithic black culture. It's completely different for someone born in Harlem to someone born in Houston or London with one exception, which is that people contributing to black culture have the experience of being black.
At heart I'm a hip-hop kid and an R&B kid, but I've always had an appreciation for club culture and dance music.
Underground electronic music is art - fundamentally it's based on contemporary art, culture, dance, and real music. If you look at EDM, how many of those cultural standpoints are the same?
The impact of black music and black art forms on American culture is really difficult to appreciate.
We mainly focus on putting music, art, dance, theater, all forms of art, back into the community, so the community can put it into the world.
I identified with white culture, and I wanted to fit in. I didn't identify with black culture. Like, I didn't like Tyler Perry movies, and I wasn't into hip-hop music. I liked Neil Young.
I think this kind of bohemianism doesn't really exist in the New York city anymore - the bohemianism that I was trying to record in Carnegie Hall that completely defined our culture. The people who lived and worked in Carnegie Hall studios, they defined our culture in music, dance, theater, fashion, illustration. It wasn't so much nostalgic as a celebration of that and an acknowledgment of that and saying that it's really important. And it's actually something that is a loss for the city, I think.
When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place. A lot of them are from the south, so they bring those southern influences with them.
I was in Paris last year, where there's a great appreciation of many different aspects of African culture and of black culture. The music... the art... whatever... And I kind of went with that.
I never thought I was playing black music. I was just playing music, the stuff I liked. I sang blues at parties and things when I was a kid.
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