A Quote by Samuel Richardson
The World is not enough used to this way of writing, to the moment. It knows not that in the minutiae lie often the unfoldings ofthe Story, as well as of the heart; and judges of an action undecided, as if it were absolutely decided.
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The mind knows...that there is an action principle that governs how the world evolves from one moment to the next - that restricts our world's path to points that tell an internally consistent story.
An initial impulse of mine was to portray the way in which a city is impacted by war. But this is vague, no? After all, how do you actually have an entire city - or country, for that matter - be a character a reader can follow? One way is by making it smaller and personalizing it, by writing specifically about the citizens and the way they contend with the reality, even minutiae, especially minutiae, of their lives.
I used to do a lot of story writing and storytelling coming up through grade school. By the time I got to college, I decided that I wanted to perform as well, and that's where I started.
I used to think things were the way they are for a reason, that there was some hidden meaning. I used to think that this meaning governed the way the world was. But it's an illusion to think that there are good and bad reasons. Grammar is a lie to make us think that what we say is connected by a logic that you'll find if you study it, a lie that gone on for centuries. Because I now know that life just lurches between stability and instability and doesn't obey any law.
You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me do their best dialogue writing off story - the best lines, the best observations - but they haven't got enough to do with the plot to stay in.
All my life I thought that the story was over when the hero and heroine were safely engaged -- after all, what's good enough for Jane Austen ought to be good enough for anyone. But it's a lie. The story is about to begin, and every day will be a new piece of the plot.
Enough! we're tired, my heart and I. We sit beside the headstone thus, And wish that name were carved for us. The moss reprints more tenderly The hard types of the mason's knife, As Heaven's sweet life renews earth's life With which we're tired, my heart and I .... In this abundant earth no doubt Is little room for things worn out: Disdain them, break them, throw them by! And if before the days grew rough We once were loved, used, - well enough, I think, we've fared, my heart and I.
Most people fail at whatever they attempt because of an undecided heart. Should I? Should I not? Go forward? Go back? Success requires the emotional balance of a committed heart. When confronted with a challenge, the committed heart will search for a solution. The undecided heart searches for an escape. A committed heart does not wait for conditions to be exactly right. Why? Because conditions are never exactly right.
I lay my head on his chest and listen to his heart beating, solid and sure.....he reads me so well. He's known about my emotional empathy since we were children. Nothing disturbs him...Few can lie to me... I don't know the truth, only that there is a lie. It takes a scrupulously honest man to love me. That's my Sean. We learned to trust each other completely before we were old enough to have learned suspicion.
When we're upset, our vocal cords tighten and we can't speak. And when I lie - well, I can't lie, because the same thing happens - everyone who knows me knows that when I start squeaking, I've started lying.
The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?
I surrender my anxiety and my sense of urgency. I allow God to guide me in the pacing of my life. I open my heart to God's timing. I release my deadlines, agendas, and stridency to the gentle yet often swift pacing of God. As I open my heart to God's unfoldings, my heart attains peace. As I relax into God's timing, my heart contains comfort. As I allow God to set the tone and schedule of my days, I find myself in the right time and place, open and available to God's opportunities.
The judges are much closer to the action than the fans are. Fans sure can sway the way a fight looks. I am confident in the ability of the judges and if I do what I need to do and things go the way that we plan, we will come out with the victory regardless of the fan support.
I can honestly say, there was a moment when I was writing 'Upstream Color' where I fell so hard for what it was becoming that I couldn't think of anything else. I was absolutely secure in this story in the way I'm rarely secure about anything else in my life.
It was the kind of terrified look that reminds you that no matter how rational or grown up a person might seem, some part of him is absolutely sure - knows - that an evil other-world exists just outside of our regular, everyday world. And that although we don't expect that world to collide with our calm, predictable one...well, really, at any moment that is exactly what might happen.
This is absolutely the true answer, no word of a lie, 100% guaranteed: Q: What's the best way to turn my idea into a story? A: Whatever works for you.
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