A Quote by Samuel Rogers

Those that he loved so long and sees no more, Loved and still loves,-not dead, but gone before,- He gathers round him. — © Samuel Rogers
Those that he loved so long and sees no more, Loved and still loves,-not dead, but gone before,- He gathers round him.
This time, I whispered that I loved him too. Then, I silently listed all the reason: I loved him for his gentleness. I loved him for being an amazing catch yet still vulnerable enough to be insecure. But most of all, I loved him for loving me.
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
The artist should paint not only what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also refrain from painting that which he sees before him. Otherwise, his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
God's love is so extravagant and so inexplicable that he loved us before we were us. He loved us before we existed. He knew many of us would reject him, hate him, curse him, rebel against him. Yet he chose to love us. God loves us because he is love.
You were loved because God loves, period. God loved you, and everyone, not because you believed in certain things, but because you were a mess, and lonely, and His or Her child. God loved you no matter how crazy you felt on the inside, no matter what a fake you were; always, even in your current condition, even before coffee. God loves you crazily, like I love you...like a slightly overweight auntie, who sees only your marvelousness and need.
Value God and his love more than all the world, though there were millions of them. He valued you before the world, and therefore is beforehand with you in his love. He not only loved you from everlasting, (whereas your love is but of yesterday,) but in the valuation of it, he loved you before all worlds, and preferred you to all worlds: though you loved the world first, before you loved him.
Ros was dead. He had loved heroin more than it loved him. I was shocked beyond imagining; he was the first of my friends to fall.
I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use stars. I didn't think I needed stars - Dennis Hopper was in it. I loved him. We hung out. I loved him, but his cigar budget was more than we paid for the entire budget of 'Night of the Living Dead.'
As I watched Bill, waiting with apparent calm for death to come to him, I had a flash of him as I'd known him: the first vampire I'd ever met, the first man I'd ever gone to bed with, the first suitor I'd ever loved. Everything that followed had tainted those memories, but for one moment I saw him clearly, and I loved him again.
I think when I was young, let's call it high school, and even before that, I just loved comedy, and I loved comedians. I grew up watching Laurel and Hardy. That's really a long time ago. I loved Jerry Lewis. I just loved comedians.
Andy [Griffith] and I spoke on the phone not too long before he died. I told him I loved him and he told me he loved me. He was a wonderful man.
When I was young, I was interested more in (singing the songs). ... I can't say I'm enjoying it more now than I did before, because I loved it when I first sang in Wales, in a pub or a club. I loved it then, getting up and singing. Or as a kid in school, I've always loved to sing. But I think when you've been around a long time, it's even more satisfying to think that people are listening to me now, and I've been in the business for a long time.
The more a man lives, the more a man creates, the more a man loves and loses those whom he loves, the more does he escape from death. With every new blow that we have to bear, with every new work that we round and finish, we escape from ourselves, we escape into the work we have created, the soul we have loved, the soul that has left us.
Then I kissed Max because I loved him, and everyone I had ever loved before had gone away and I had never kissed them goodbye
Because the truth is, I do love him. I've loved him without ceasing. I've loved him since that very first day. I loved him even when I swore I didn't. I can't help it. I just do.
I loved him [Ke Huy Quan as Short-Round in Indiana Jones and the Temple of Doom] - everyone loved him when I saw the film. Now I'm a grown-up and I watch it I'm not so sure - he's so loud. He yells for the entire film.
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