A Quote by Samuel Rogers

Twilight's soft dews steal o'er the village-green, With magic tints to harmonize the scene. Stilled is the hum that through the hamlet broke When round the ruins of their ancient oak The peasants flocked to hear the minstrel play, And games and carols closed the busy day.
Long drawn, the cool, green shadows Steal o'er the lake's warm breast, And the ancient silence follows The burning sun to rest. The calm of a thousand summers, And dreams of countless Junes, Return when the lake-wind murmurs Through golden August noons.
When twilight dews are falling soft Upon the rosy sea, love, I watch the star whose beam so oft Has lighted me to thee, love.
When I went through my life, I was like, 'I sit around and play video games all day. Nobody wants to hear about this.'
Where'er the oak's thick branches stretch A broader browner shade; Where'er the rude and moss-grown beech O'er-canopies the glade, Beside some water's rushy brink With me the Muse shall sit, and think.
I remember that I stood on the library steps holding my books and looking for a minute at the soft hinted green in the branches against the sky and wishing, as I always did, that I could walk home across the sky instead of through the village.
Oh, a dainty plant is the ivy green, That creepeth o'er ruins old! Of right choice food are his meals, I ween, In his cell so lone and cold. Creeping where no life is seen, A rare old plant is the ivy green.
Where, twisted round the barren oak, The summer vine in beauty clung, And summer winds the stillness broke, The crystal icicle is hung.
For 'tis green, green, green, where the ruined towers are gray, And it's green, green, green, all the happy night and day; Green of leaf and green of sod, green of ivy on the wall, And the blessed Irish shamrock with the fairest green of all.
I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
How happy he whose toil Has o'er his languid pow'rless limbs diffus'd A pleasing lassitude; he not in vain Invokes the gentle Deity of dreams. His pow'rs the most voluptuously dissolve In soft repose; on him the balmy dews Of Sleep with double nutriment descend.
The cloudlets are lazily sailing O'er the blue Atlantic sea; And mid the twilight there hovers A shadowy figure o'er me.
I suppose I'm a cultural Anglican, and I see evensong in a country church through much the same eyes as I see a village cricket match on the village green. I have a certain love for it.
There is no land like England, Where'er the light of day be; There are no hearts like English hearts, Such hearts of oak as they be; There is no land like England, Where'er the light of day be: There are no men like Englishmen, So tall and bold as they be! And these will strike for England, And man and maid be free To foil and spoil the tyrant Beneath the greenwood tree.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
Then here 's to the oak, the brave old oak, Who stands in his pride alone! And still flourish he a hale green tree When a hundred years are gone!
While snow the window-panes bedim, The fire curls up a sunny charm, Where, creaming o'er the pitcher's rim, The flowering ale is set to warm; Mirth, full of joy as summer bees, Sits there, its pleasures to impart, And children, 'tween their parent's knees, Sing scraps of carols o'er by heart.
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