A Quote by Samuel Rogers

Feeling hearts--touch them but lightly--pour
A thousand melodies unheard before. — © Samuel Rogers
Feeling hearts--touch them but lightly--pour A thousand melodies unheard before.
The soul of music slumbers in the shell Till waked and kindled by the master's spell; And feeling hearts, touch them but rightly, pour A thousand melodies unheard before!
It's dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you're feeling deeply. Just lightly let things happen and lightly cope with them. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That's why you must walk so lightly. Lightly my darling.
XVII Lady, i will touch you with my mind. Touch you and touch and touch until you give me suddenly a smile,shyly obscene (lady i will touch you with my mind.)Touch you,that is all, lightly and you utterly will become with infinite care the poem which i do not write.
Heard melodies are sweet, but those unheard are sweeter.
There's nothing more vulnerable than just standing in front of a thousand people, or ten thousand people, and doing your best to entertain them, touch them in some way.
The poor too often turn away unheard, From hearts that shut against them with a sound That will be heard in heaven.
Childrens books change lives. Stories pour into the hearts of children and help make them what they become.
The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.
Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone.
I compose melodies in my head and then interpret them musically with my guitar and keep them recorded. The guitar helps me to build unique chord structures on simple melodies.
When I was 11, I developed a new symptom - the worst one yet: I had to touch people before I talked to them. When I say 'had to,' that's exactly what I mean: if I didn't touch them first, I literally couldn't form the words.
Before 'Whiplash,' I'd had a string of failed scripts. I'd pour my blood, sweat and tears into them, and no one would like them.
There is a great temptation with songs, melodies and lyrics to overcomplicate them but in fact, you find that the most enduring melodies are often the simplest.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
It is ever thus that the things which we do wrong - although they may seem little at the time, and though from the hardness of our hearts we pass them lightly by - come back to us with bitterness.
What I expect from my male friends is that they are polite and clean. What I expect from my female friends is unconditional love, the ability to finish my sentences for me when I am sobbing, a complete and total willingness to pour their hearts out to me, and the ability to tell me why the meat thermometer isn't supposed to touch the bone.
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