A Quote by Samuel Smiles

Self-respect is the noblest garment with which a man can clothe himself, the most elevating feeling with which the mind can be inspired. — © Samuel Smiles
Self-respect is the noblest garment with which a man can clothe himself, the most elevating feeling with which the mind can be inspired.
Philosophers have long conceded, however, that every man has two educators: 'that which is given to him, and the other that which he gives himself. Of the two kinds the latter is by far the more desirable. Indeed all that is most worthy in man he must work out and conquer for himself. It is that which constitutes our real and best nourishment. What we are merely taught seldom nourishes the mind like that which we teach ourselves.
A man's name is not like a mantle which merely hangs about him...but a perfectly fitting garment, which, like the skin, has grown over him, at which one cannot rake and scrape without injuring the man himself.
Identity would seem to be the garment with which one covers the nakedness of the self: in which case, it is best that the garment be loose, a little like the robes of the desert, through which one's nakedness can always be felt, and, sometimes, discerned. This trust in one's nakedness is all that gives one the power to change one's robes.
Not selfishness, but precisely the absence of a self. Look at them. The man who cheats and lies, but preserves a respectable front. He knows himself to be dishonest, but others think he’s honest and he derives his self-respect from that, second-hand. The man who takes credit for an achievement which is not his own. He knows himself to be mediocre, but he’s great in the eyes of others.
If man puts his honor first in relying upon himself, knowing himself and applying himself, this in self-reliance, self-assertion, and freedom, he then strives to rid himself of the ignorance which makes a strange impenetrable object a barrier and a hindrance to his self-knowledge.
No garment which distorts the shape and motion of the wearer is beautiful, nor s any garment beautiful which emphasizes more than one or at most two of your sexual characteristics.
Forgiveness, that noblest of all self-denial, is a virtue which he alone who can practise in himself can willingly believe in another.
As long as the artist invents and is inspired, he remains in a constrained state of mind, at least for the purpose of communication. He then wants to say everything, which is the wrong tendency of young geniuses or the right prejudice of old bunglers. Thus, he fails to recognize the value and dignity of self-restraint, which is indeed for both the artist and the man the first and the last, the most necessary and the highest goal.
Though neither happiness nor respect are worth anything, because unless both are coming from the truest motives, they are simply deceits. A successful man earns the respect of the world never mind what is the state of his mind, or his manner of earning. So what is the good of such respect, and how happy will such a man be in himself? And if he is what passes for happy, such a state is lower than the self-content of the meanest animal.
How can one liberate the many? By first liberating his own being. He does this not by elevating himself, but by lowering himself. He lowers himself to that which is simple, modest, true; integrating it into himself, he becomes a master of simplicity, modesty, truth.
A noble man compares and estimates himself by an idea which is higher than himself; and a mean man, by one lower than himself. The one produces aspiration; the other ambition, which is the way in which a vulgar man aspires.
Those who have overcome self-will and become instruments to do God's work can accomplish tasks which are seemingly impossible, but they experience no feeling of self achievement. I now know myself to be a part of the infinite cosmos, not separate from other souls or God. My illusory self is dead; the real self controls the garment of clay and uses it for God's work.
Theatre has nothing to do with buildings or other physical constructions. Theatre - or theatricality - is the capacity, this human property which allows man to observe himself in action, in activity. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
The idle man stands outside of God's plan, outside of the ordained scheme of things; and the truest self-respect, the noblest independence, and the most genuine dignity, are not to be found there.
A most insidious form of fear is that which masquerades as common sense or even wisdom, condemning as foolish, reckless, insignificant or futile the small, daily acts of courage which help to preserve man's self-respect and inherent human dignity.
As long as a man is persuaded that he can make even the smallest contribution to his salvation, he remains self-confident and does not utterly despair of himself, and so is not humbled before God. Such a man plans out for himself a position, an occasion, a work, which shall bring him final salvation, but which will not.
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