A Quote by Samuel Smiles

The principal industrial excellence of the English people lay in their capacity of present exertion for a distant object. — © Samuel Smiles
The principal industrial excellence of the English people lay in their capacity of present exertion for a distant object.
I would urge that the yeast of education is the idea of excellence, and the idea of excellence comprises as many forms as there are individuals, each of whom develops his own image of excellence. The school must have as one of its principal functions the nurturing of images of excellence.
One of the characteristics of every great teacher I've known is tremendous exertion. It's interesting: You may see them as spiritual people or compassionate people, but the driving force is that incredible exertion - and their ability to sustain it.
The object of my researches is the brain. The cranium is only a faithful cast of the external surface of the brain, and is consequently but a minor part of the principal object.
Human beings have the capacity to learn to want almost any conceivable material object. Given, then, the emergence of a modern industrial culture capable of producing almost anything, the time is ripe for opening the storehouse of infinite need!... It is the modern Pandora's box, and its plagues are loose upon the world.
Throughout the industrial era, economists considered manufactured capital - money, factories, etc. - the principal factor in industrial production, and perceived natural capital as a marginal contributor. The exclusion of natural capital from balance sheets was an understandable omission. There was so much of it, it didn't seem worth counting.
Everything at a distance turns into poetry; distant mountains, distant people, distant events; all become Romantic.
On the one hand, there is no question that English - frequently bad English - has become the universal language of scholarship. It is clearly a tremendous handicap for people outside of the United States, Britain, and Australia and a few other countries because few of them are native speakers, but we demand that they present and publish in English.
The happy life is thought to be one of excellence; now an excellent life requires exertion, and does not consist in amusement.
I cannot believe that our factory system is the best mode by which men may get clothing. The condition of the operatives is becoming every day more like that of the English; and it cannot be wondered at, since, as far as I have heard or observed, the principal object is, not that mankind may be well and honestly clad, but, unquestionably, that the corporations may be enriched.
East Asia confirms the superior capacity of industrial capitalism in raising the material standard of living of large masses of people.
The virtues [moral excellence] therefore are engendered in us neither by nature nor yet in violation of nature; nature gives us the capacity to receive them, and this capacity is brought to maturity by habit.
Distance... is like futurity. A dim vastness is spread before our souls; the perceptions of our mind are as obscure as those of our vision... But alas! when we have attained our object, when the distant 'there' becomes the present 'here,' all is changed; we are as poor and circumscribed as ever, and our souls still languish for unattainable happiness.
Excellence is THE trend of the '80s. Walk into any shopping mall bookstore, go to the rack where they keep the best-sellers such as Garfield Gets Spayed, and you'll see a half-dozen books telling you how to be excellent: In Search of Excellence, Finding Excellence, Grasping Hold of Excellence, Where to Hide Your Excellence at Night So the Cleaning Personnel Don't Steal It, etc.
Through life let your principal object be the discharge of duty.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
The precise effects of lensing depend on the mass of the lens, the structure of space-time, and the relative distance between us, the lens, and the distant object behind it. It's like a magnifying glass, where the image you get depends on the shape of the lens and how far you hold it from the object you're looking at.
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