A Quote by Samuel Taylor Coleridge
The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive.
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The cause of all the blunders committed by man arises from this excessive self-love. For the lover is blinded by the object loved; so that he passes a wrong judgment on what is just, good and beautiful, thinking that he ought always to honor what belongs to himself in preference to truth. For he who intends to be a great man ought to love neither himself nor his own things, but only what is just, whether it happens to be done by himself, or by another.
As music is the poetry of sound, so is painting the poetry of sight and the subject-matter has nothing to do with harmony of sound or of color.
When we see a beautiful object, a beautiful garden, or a beautiful flower, let us think that there we behold a ray of the infinite beauty of God, who has given existence to that object.
Actually, if you listen to the vocals on my grandfather's records, you will hear we sound similar. We both sound kind of dry. We have a dry voice, and we both love harmony - he was a man of harmony, I'm a man of harmony. I think it just runs in our blood.
I am of opinion that there is nothing so beautiful but that there is something still more beautiful, of which this is the mere image and expression,--a something which can neither be perceived by the eyes, the ears, nor any of the senses; we comprehend it merely in the imagination.
To know whether you can trust a particular intuitive judgment, there are two questions you should ask: Is the environment in which the judgment is made sufficiently regular to enable predictions from the available evidence? The answer is yes for diagnosticians, no for stock pickers. Do the professionals have an adequate opportunity to learn the cues and the regularities? The answer here depends on the professionals' experience and on the quality and speed with which they discover their mistakes.
As I considered the matter carefully it gradually came to light that all those matters only were referred to mathematics in which order and measurements are investigated, and that it makes no difference whether it be in numbers, figures, stars, sounds or any other object that the question of measurement arises. I saw consequently that there must be some general science to explain that element as a whole which gives rise to problems about order and measurement, restricted as these are to no special subject matter. This, I perceived was called 'universal mathematics'.
Fear arises through identification with form, whether it be a material possession, a physical body, a social role, a self-image, a thought, or an emotion. It arises through unawareness of the formless inner dimension of consciousness or spirit, which is the essence of who you are. You are trapped in object consciousness, unaware of the dimension of inner space which alone is true freedom.
It is a mistake, to think the same thing affects both sight and touch. If the same angle or square, which is the object of touch,be also the object of vision, what should hinder the blind man, at first sight, from knowing it?
Remember that your imagination is yours and yours alone. You have the inborn capacity to use it in any way that you choose. No one else is responsible for your imagination. Anything placed in your imagination and held there ultimately becomes your reality.
For the joy of ear and eye, for the heart and mind's delight, for the mystic harmony, linking sense to sound and sight; Lord of all, to thee we raise this our hymn of grateful praise.
All knowledge resolves itself into probability. ... In every judgment, which we can form concerning probability, as well as concerning knowledge, we ought always to correct the first judgment deriv'd from the nature of the object, by another judgment, deriv'd from the nature of the understanding.
The pioneer scientist must have "a vivid intuitive imagination, for new ideas are not generated by deduction, but by artistically creative imagination."
I have read that the ancients, when they had produced a sound, used to modulate it, heightening and lowering its pitch without departing from the rules of harmony. So must the artist do in working at the nude.
Disagreement does not necessarily have to be overcome. It may remain an important and constitutive feature of our relations to others and also be seen as something that is merely to be expected in the light of the best explanations we have of how such disagreement arises.
Apple was selling $400 iPods with $1 earbuds. They're making a beautiful white object with all the music in the world in it... I'm going to make a beautiful black object that will play it back.
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