A Quote by Samuel Taylor Coleridge
The devil is not, indeed, perfectly humorous, but that is only because he is the extreme of all humor.
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I'm really interested in the link between creativity and humor because humor is a type of creativity, and I do think that humorous people and humorous health helps creativity.
Humor is really one of the hardest things to define, very hard. And it's very ambiguous. You have it or you don't. You can't attain it. There are terrible forms of professional humor, the humorists' humor. That can be awful. It depresses me because it is artificial. You can't always be humorous, but a professional humorist must. That is a sad phenomenon.
I suppose I look for humor in most situations because it humanizes things; it makes a character much more three-dimensional if there's some kind of humor. Not necessarily laugh-out-loud type of stuff, just a sense that there is a humorous edge to things. I do like that.
I'm a comedian, and I have my share of anxiety and depression; so do most of my friends. My humor tends to lie in the juxtaposition of extreme lightness - I'm a huge musical-theater fan - and extreme darkness. And so I really like playing with those because that's how I feel.
The lover`s discourse was of an extreme solitude. The solitude was extreme because it wasn`t physical. It was extreme because you felt it while in the company of the person you loved. It was extreme because it was in your head, the most solitary of places.
The profoundly humorous writers are humorous because they are responsive to the hopeless, uncouth, concatenations of life.
The Devil is perfectly willing that the church should multiply its organizations and its deftly contrived machinery for the conquest of the world for Christ, if it will only give up praying...The Devil is not afraid of machinery; he is only afraid of God. And machinery without prayer is machinery without God.
The devil ain't got no power over me. The devil come, and me shake hands with the devil. Devil have his part to play. Devil's a good friend, too... because when you don't know him, that's the time he can mosh you down.
If one tends to be a humorous person and you have a sense of humor the rest of your life then you can certainly lighten the load, I think, by bringing that to your trials and tribulations. It's easy to have a sense of humor when everything is going well.
The extreme of flexibility is chaos and the extreme of being structured is rigid and staying sane, or indeed using your creativity, is about being aware of these extremes and steering yourself to areas where you work best which usually tend to be more in the middle than at either extreme edge.
It is indeed my opinion now that evil is never “radical,” that it is only extreme, and that it possess neither depth nor any demonic dimension. It can overgrow and lay waste the whole world precisely because it spreads like fungus on the surface. It is “thought-defying,” as I said, because thought tries to reach some depth, to go to the roots, and the moment it concerns itself with evil, it is frustrated because there is nothing. That is its “banality.” Only the good has depth and can be radical.
In the eighties, there was a huge shift in the humor of Japanese television. Up until then, the humor was garnered by people who said humorous things, but in the '80s, it was garnered by people who were being laughed at while the audience watches and watches.
The irony or humor of my pieces is never really calculated, but they somehow always end up that way. Humor, especially when dealing with matters of extreme gravity, has a way of toppling set ideas and opening up new modes of interpretation. Furthermore, adding humor tends to shift the power balance.
I have never examined the subject of humor until now. I am surprised to find how much ground it covers. I have got its divisions and frontiers down on a piece of paper. I find it defined as a production of the brain, as the power of the brain to produce something humorous, and the capacity of percieving humor.
The best point of my novels, I think, is their humor. I want to keep many my works humorous.
Look at Gleason in The Honeymooners. He was humorous but the way he lived wasn't really humorous. He was a bus driver. Who wants to be a bus driver? He didn't have any money and he was not famous. But despite that, the show is humorous.
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