A Quote by Samuel Taylor Coleridge

We have no adequate conception of the perfection of the ancient tragic dance. The pleasure which the greeks received from it had for its basis difference; & the more unfit the vehicle, the more lively was the curiosity & intense the delights at seeing the difficulty overcome.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
One of the interesting things about the ancient Greeks is that they really didn't have our conception of individual rights. They didn't have our conception of all lives matters. And it was really was true for them, that certain lives matter a lot more than others. It didn't dawn on them that all lives, although different, can be lives of equal mattering. And that is actually something a huge ethical lesson.
I say then, that belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain. This variety of terms, which may seem so unphilosophical, is intended only to express that act of the mind, which renders realities, or what is taken for such, more present to us than fictions, causes them to weigh more in the thought, and gives them a superior influence on the passions and imagination.
It's one of the things we find in these congregations is that they are much more likely to be sort of up-beat worship styles, more likely that people in these congregations say "Amen," maybe get up and dance some, tend to be a little bit more lively than a typical white service would be, but not as lively as a typical black service would be.
Our modern world, though infinitely more complex than that of ancient Greece, is also far more superficial. Where the Greeks offered simple psychological training, we live in an age of style and spin in which perceptions of good and evil slither and shift with the political view of the moment.
The best way to overcome the world is not with morality or self-discipline. Christians overcome the world by seeing the beauty and excellence of Christ. They overcome the world by seeing something more attractive than the world: Christ
We look at the ancient Greeks with their gods on a mountain top throwing lightning bolts and say, 'Those ancient Greeks. They were so silly. So primitive and naive. Not like our religions. We have burning bushes talking to people and guys walking on water. We're ...sophisticated.'
I do read the records reviews but more out of curiosity than anything else, I feel like we know what we want to do next time regardless of how this one is received, good or bad, so it won't really make much of a difference, which wasn't the case on the first album, where both the positive and negative criticism or reactions did catch us off guard and inevitably colored the creation of this one.
Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love. Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will. At least the ancient Greeks were being honest.
To sweat is to pray, to make an offering of your innermost self. Sweat is holy water, prayer beads, pearls of liquid that release your past. Sweat is an ancient and universal form of self healing, whether done in the gym, the sauna, or the sweat lodge. I do it on the dance floor. The more you dance, the more you sweat. The more you sweat, the more you pray. The more you pray, the closer you come to ecstasy.
Religiously, we longed for the lively life in Christ, but we did not fully see that we were equally longing for the lively life of the mind - the delights of conversation at once serious and gay, which is, whatever its subject, Christ or poetry or history, the ultimately civilized thing.
I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadows of the national upheaval and the intense effort - the intense self-conscious effort - to make a literary movement were still evident. Now we lived a life as writers that was more cosmopolitan, more open, that had more travel and exchange.
Belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain.
The reason why I returned to dance is simply because I love dance. I had also promised myself that I wanted to make more sense of dance, study and understand it far more in detail.
The greater the suffering depicted, the more terrible the events, the more intense our pleasure.
The limitations of pleasure cannot be overcome by more pleasure.
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