A Quote by Samuel Taylor Coleridge
The form is mechanic when on any given material we impress a predetermined form. The organic form, on the other hand, is innate, it shapes as it develops itself from within.
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In every remodelling of the present, the existing condition of things must be supplanted by a new one. Now every variety of circumstances in which men find themselves, every object which surrounds them, communicates a definite form and impress to their internal nature. This form is not such that it can change and adapt itself to any other a man may choose to receive; and the end is foiled, while the power is destroyed, when we attempt to impose upon that which is already stamped in the soul a form which disagrees with it.
Although usury is itself a form of credit in its bourgeoisified form, the form adapted to capital , in its pre-bourgeois form it is rather the expression of the lack of credit .
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
The events of life have never fallen into the form of the short story or the form of the poem, or into any other form.Yourown consciousnessisthe only formyouneed.
The universe is one of continual creation, so therefore we too are continually creating. The form of our creativity is not as important the loving essence within a given form, because that love is the foundation of our creative expression itself, eternal and indestructible.
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
I have known Trent Lott for 20 years, ... I don't believe he's racist. But he must proactively send a message to his colleagues in the Senate and the American people that he is absolutely opposed to any segregation in any form and racism in any form and discrimination in any form.
We refuse to recognize problems of form, but only problems of building. Form is not the aim of our work, but only the result. Form, by itself, does not exist. Form as an aim is formalism; and that we reject.
Pluralism lets things really exist in the each-form or distributively. Monism thinks that the all-form or collective-unit form is the only form that is rational.
The best design explicitly acknowledges that you cannot disconnect the form from the material - the material informs the form.
The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
You mean you're comparing our lives to a sonnet? A strict form, but freedom within it? Yes. Mrs. Whatsit said. You're given the form, but you have to write the sonnet yourself. What you say is completely up to you.
No form of theocracy, whether it's manifested in a violent or non-violent form, is ever good for civilisation, and we have to challenge it in civil society as well as we would challenge Christian-based theocracy, or any other form of bigotry.
I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
The technique that only uses explosion or expansion forces is lethal and hostile to the nature. This kind of technique must miss the natural counter force or the organic synthesis which is a negative form of quality - The Organic Vacuum - that reunites the polar and the increasing to the favour of the uprising of a new life form.
When one has reached maturity in this art, one will have the formless form. It is like the dissolving or thawing [of] ice into water that can shape itself to any structure. When one has no form, one can be all forms; when one has no style, one can fit in with any style.
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