A Quote by Samuel Taylor Coleridge

Painting is the intermediate somewhat between a thought and a thing. — © Samuel Taylor Coleridge
Painting is the intermediate somewhat between a thought and a thing.
A painting is merely the image of a tree, a man, or any other object reflected in a fountain. The difference between a painting and sculpture is the difference between a shadow and the thing which casts it.
When you start a painting, it is somewhat outside you. At the conclusion, you seem to move inside the painting.
I have told myself a hundred times that painting - that is, the material thing called a painting - is no more than a pretext, the bridge between the mind of the painter and the mind of the spectator.
I thought I was going to be able to use my painting ideas as decoration on pottery, but my painting did not translate into decoration on pottery. I thought it was going to, and in fact I made, while still in school, a plate with one of my paintings on it, and that's exactly what it was, it was a plate with a painting on it. It was not a decorated plate; it was just a painting superimposed over a three-dimensional ceramic form.
In my first publishable research, I obtained evidence that the replication of polio viral RNA engendered a multi-stranded intermediate, although my description of that intermediate proved flawed in its details.
I had the impression in art school that cartooning was thought of as a lesser art than painting because cartoons are reproduced, so the "work" is not the single thing like a painting, but instead is the reproduced image.
Love is an intermediate state between possession and deprivation.
Now it's easy for someone to set up a storefront and reach the entire world in very modest ways. So these technologies that we thought would dis-intermediate traditional sellers gave more people the tools to be sellers. It also changed the balance of power between sellers and buyers.
When I am finishing a picture, I hold some God-made object up to it - a rock, a flower, the branch of a tree or my hand - as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art.
IMPENITENCE, n. A state of mind intermediate in point of time between sin and punishment.
Instead of a pentagon, you have a lot of people that are trained in bridging the difference between nations. The pentagon would serve as an intermediate organization to bridge the difference between cultures.
When a body acts upon another one, it is always immediately or through some intermediate body; this intermediate body is in general what one calls a machine.
Since Courbet, it's been believed that painting is addressed to the retina. That was everyone's error. The retinal shudder! Before, painting had other functions: it could be religious, philosophical, moral... our whole century is completely retinal, except for the Surrealists, who tried to go outside it somewhat.
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
There's a difference between craft and painting. Craft, your job is to make it exactly the same every time. Painting is the opposite, but in painting there is some craftsmanship, which is called technique. But technique is spontaneous. That's the treasure, the most important part. You are in it.
The gnosis of God is intermediate between immoderation, which is ascribing human characteristics to God, and negligence, which is denying any attributes to God. . . The Truth lies in the balance between the two extremes.
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