A Quote by Samuel Taylor Coleridge

That willing suspension of disbelief for the moment, which constitutes poetic faith. — © Samuel Taylor Coleridge
That willing suspension of disbelief for the moment, which constitutes poetic faith.
I prefer to think of faith, as Coleridge says of poetry, not as the taking up of belief but as "the willing suspension of disbelief". . . a willingness to be open, to explore, to investigate.
Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
It is now life and not art that requires the willing suspension of disbelief.
Those who write need that "willing suspension of disbelief ", as Coleridge called it.
Indeed, Rusbridger has finessed for the Guardian a certain willing suspension of disbelief and is able to credibly maintain conceits and moral standards to which his own behaviour hardly conforms.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
We've suspended the willing suspension of disbelief. We have given up that relationship, that almost hypnotic engagement, with the characters up on the screen.
Cinema, which demands suspension of disbelief, is an increasingly naive proposition.
The generation of atmosphere, the aura of the uncanny, is one of the most important secrets of magic. It contributes to the willing suspension of disbelief, the feeling that, within the circle, or in the presence of the magical shrine, anything may happen.
I'm a very skeptical guy: my willing suspension of disbelief doesn't go very far when I'm reading other people's SF, and it goes even less far when I'm writing my own.
[Science fiction is] that class of prose narrative treating of a situation that could not arise in the world we know, but which is hypothesised on the basis of some innovation in science or technology, or pseudo-science or pseudo-technology, whether human or extra-terrestrial in origin. It is distinguished from pure fantasy by its need to achieve verisimilitude and win the 'willing suspension of disbelief' through scientific plausibility.
What do you know? Haven't you heard of suspension of disbelief?
I think, as a coach, you have to be willing to do what's best for the player. And you say what's best for the player: is it better to give him a game suspension, three-game suspension, no suspension. I think each case may be different in that.
I guess love is the real suspension of disbelief.
The stage is suspension of disbelief. Film is a literal medium.
The more you can create that magic bubble, that suspension of disbelief, for a while, the better.
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