A Quote by Samuel Witwer
Eventually I booked a 2-line role on a show called 'JAG' and slowly the parts got bigger and better. I'm very thankful that I had to appreciate how difficult the business is before I had any kind of success.
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'One Tree Hill' will always be very, very special to me. It was my first television show. And my first gig in the business. It was surreal. I booked the role when I was 13. I had just started high school, and literally, I think, a week into high school, I found out I got the role. It was unimaginable! I learned so much from that show.
I have to say, Franz in 'Rock of Ages,' I had three final callbacks for that role before I booked it - it was something that I'd dreamed of. I wanted to play that role. I love that show.
I did about 10-12 national commercials and then got one line parts in things like 'Curb Your Enthusiasm' and the show 'The Unit.' Got a little part in the movie 'Redbelt' by David Mamet and kept slowly grinding up and then started getting bigger parts in independents and getting noticed by Liz Meriwether.
ELVIS PRESLEY was bigger than life. His success was documented and laid out for him. He came to the first show I had in Memphis, and it was very nice. He sort of treated me like an equal, because we were both fresh in the business. We got to be great friends and kindred souls.
I'm very proud of what I accomplished here in New York - I had a clothing line, I had a lip gloss called Tinsley Pink, I wrote a book, I had a reality show and I did all these things.
I had never intended to be on the show more than three years, regardless of how successful it was. I had other things I wanted to do. And I was offered a role in 'Red Sky at Morning', [1970]. I got that part because [producer] Hal Wallis had seen the HERE'S LUCY show with Ann-Margaret. It was a thrill for me, getting to do the drama and comedy. It was such a good role. So I missed several episodes of the show to shoot the movie. And I never came back but one.
If I'm going to leave my family for any length of time, it had better be for a role that I haven't played before, with great people. It had better be fun.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
I think because I worked really hard before I had any kind of success it kept me grounded. You just don't know how long that success is gonna be there.
I booked my first national tour of a Broadway show right out of college. It was the tap show, '42nd Street.' I had only been tap dancing for three years when I booked that show.
I've had a different kind of career on the periphery of show business. I've never been on any kind of corporate timetable whereby every six months I have to pop out a record like a pulping mill. I've called my own shots. When I get tired, I take time off.
I had been working on some mechanical issues before I got called up. When I got called up I was focused on trying to be mechanically correct instead of enjoying the moment and competing like I had always done which is probably the main reason to why I wasn't very successful in my first start.
Two months ago I had a nice apartment in Chicago. I had a good job. I had a son. When something happened to the Negroes in the South I said, `That's their business, not mine.' Now I know how wrong. I was. The murder of my son has shown me that what happens to any of us, anywhere in the world, had better be the business of us all.
I think I have slowly kind of had my name out there a little bit more and had some success.
I had no idea who Elektra was. When the producers asked me before I booked the job, I had to tell them. It was a great surprise when I actually got the job.
I had just come off of doing a play in Los Angeles which actually got me the role. It was called Bent and it was at the Mark Taper Forum. I was playing a homosexual in 1930 to 1934 Berlin who is eventually put into a concentration camp for the second half of the play. I had lost about 38 pounds for that.
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