A Quote by Sana Khan

I am planning to leave Mumbai and go somewhere else in search of guys. I don't want to settle with a guy from the industry. — © Sana Khan
I am planning to leave Mumbai and go somewhere else in search of guys. I don't want to settle with a guy from the industry.
What makes a girl a girl? What makes a guy a guy? Do you have to be what they want you to be? Or do you stop and listen to that voice inside you? I know who I am. I'm Petra West. And I'm a girl. You want me to sleep somewhere else, fine. Whatever. But I'm not going to pretend to be somebody I'm not. I've done enough of that.
A lot of guys try to mingle with me because of who I am. If I encounter a guy with a clean heart, I will go by my instincts. I guess my man won't be from the film industry.
We have to defend the migrant workers and give them our support and demand that they have the rights that workers here have from day one, but absolutely hate the system that forces people to leave their country, leave their homes, leave their families, to go somewhere else to be exploited.
Mumbai's infectious. Once you start living in Mumbai, working in Mumbai, I don't think you can live anywhere else.
Some guys smoke. Some guys drink. Some guys chase women. I'm a big barbecue-sauce guy. ... I'm like that guy on the Odd Couple, and it's not the neat guy. I go into my room and find pieces of pizza under the laundry.
I want to leave, to go somewhere where I should be really in my place, where I would fit in . . . but my place is nowhere; I am unwanted.
Where you live matters. Whatever you're doing, there's usually only one place where the top people go. You should go there. Don't settle for anywhere else. Meeting my heroes and learning from them gave me a huge advantage. Your heroes are part of your circle, too - follow them. If the real action is happening somewhere else, move.
As far as I am concerned this referendum should settle the matter. I believe it will one way or another be decisive. Britain will not want to go through this again. On the other hand if we vote to leave, this really is irreversible.
This person, this self, this me, finally, was made somewhere else. Everything had come from somewhere else, and it would all go somewhere else. I was nothing but a pathway for the person known as me.
I am a guy who likes a challenge. I don't like to go somewhere where I am used to winning.
Every man has to settle down eventually. You know why you gotta settle down eventually? Because you don't want to be the old guy in the club. You know what I'm talking about. Every club you go into, there's always some old guy. He ain't really old, just a little too old to be in the club.
I got to playing villains-I don't know how. I think it's like anything else, in the movies in particular that if you establish yourself as something and you're lucky enough to keep getting hired. You know, there are guys who play the guy who gets the girl, guys who are the best friend of that guy, there's the funny guy, the villain.
The guy says, "When you work where I work, by the time you get home, it's late. You've got to have a bite to eat, watch a little TV, relax and get to bed. You can't sit up half the night planning, planning, planning." And he's the same guy who is behind on his car payment!
Whenever you go somewhere, you want to leave a mark.
Do I want to be in St. Louis forever? Of course. People from other teams want to play in St. Louis, and they're jealous that we're in St. Louis because the fans are unbelievable. So why would you want to leave a place like St. Louis to go somewhere else and make $3 million or $4 more million a year? It's not about the money.
Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
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