A Quote by Sana Khan

I am on good terms with Salman; we share a rapport, I talk to him on and off, we've met so many times, I've been to his house, and we have worked together on the sets also. — © Sana Khan
I am on good terms with Salman; we share a rapport, I talk to him on and off, we've met so many times, I've been to his house, and we have worked together on the sets also.
I share a good rapport with Rajnikanth for I have worked with him in 'Panakkaran,' 'Mannan' and 'Uzhaipali' before.
I share a great rapport with Siddharth Jadhav. We have worked together in a Tamil film and have been friends since then.
From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.
I have worked with Salman a lot of times and have choreographed him earlier also. He doesn't do rehearsals; he never comes for that. He is the only actor who has never opened the door for rehearsals.
Lou and I met while we were in high school in our senior year. We were in many of the same classes together and quite a few times we went over to his house to hang out.
Mr. Meant-to has a friend, his name is Didn't-Do. Have you met them? They live together in a house called Never-Win. And I am told that it is haunted by the Ghost of Might-have-Been.
I met Quincy Jones in Seattle. We were kids together... liked each other when we met and have been close ever since. He wasn't writing when we met - in fact, I more or less started him off to write; voicing, harmony, and stuff like that.
A fool, a fool! I met a fool i' th' forest, A motley fool! a miserable world! As I do live by food, I met a fool Who laid him down and basked him in the sun And railed on Lady Fortune in good terms, In good set terms, and yet a motley fool.
A.K. Hangal has worked with so many Bollywood personalities. In fact, during his good times he worked with A-listers of the industry and it was so disappointing to see none of them turned up for his funeral.
Mohan Lal is my favorite actor, so if I am saying that Salman has performed better, you can believe how much he has done. Salman is better looking, so that's his plus point. Lal is the more realistic actor, but Salman is a better dancer. So there are things you can't compare. Both are good in their own way.
Many people tell me that my pairing with Tamannaah worked big time towards the success of 'Paiyaa.' In 'Siruthai,' our on-screen chemistry will crackle as we share a terrific rapport.
Isaac Cline was a creature of his times. He embodied the hubris of his times and, in many ways, was a victim of the storm, not just in material ways - loss of a family member and damage to the town - but also in metaphoric terms.
I share a very good rapport with Shah Rukh, so I was at ease working with him, and Imtiaz is a dream director for any actor.
I am very scared of Salman and intimidated by him. My talkative behaviour disappears and I am a very different person when Salman is in front of me.
I'm friends with many actors across the southern film industry, who've been my co-stars, too, and with whom I share a great rapport.
I am thrilled that DDLJ has beaten all records, Shah Rukh Khan and I share a close friendship that translates onto the screen. We have such fun working together. Shah Rukh has a great sense of humour. He invests incredible energy into his acting. He reads a lot. I share all these with him. I love books. I love his style of working and abundant refinement. I love him to death and would like to work with him again.
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