A Quote by Sana Khan

I won't say doing 'Jai Ho' was a wrong decision. People said I was camera-friendly and the film had some truly big names. — © Sana Khan
I won't say doing 'Jai Ho' was a wrong decision. People said I was camera-friendly and the film had some truly big names.
What ho!" I said. "What ho!" said Motty. "What ho! What ho!" "What ho! What ho! What ho!" After that it seemed rather difficult to go on with the conversation.
I had done some stuff on camera, then I did some film dubbing when I lived in Europe. When I came back, I'd considered doing on-camera work again, but I didn't really like it.
I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.
I was in 'Bigg Boss' were people called me cute and bubbly, but I landed in 'Jai Ho' playing a villain.
I played a negative character in 'Jai Ho.'
Some people say heroines just have to look good and provide the glamour. Some say, from dance-n-song routines, heroines have come a long way. Today, the heroine's name adds weight to the film, though maybe they can't carry the whole film on their names. I believe, yes, we do contribute a lot to films.
We were using a hand-held camera to film the scene when Morse collapses. The camera wouldn't start. Three times they said action and it still wouldn't work. To this day, they still don't know what was wrong.
Some people may say wrong decisions belong in football, but if a final is decided in the 90th minute by a wrong decision, for me that is not a fair result.
Some of them [family names] have sentimental value for some reason or another, some of them just sound beautiful. Some of them are because of people that are meaningful to us in our lives. So it's hard to say which one we'll pick. Sometimes they say you have to see the child before you decide. So maybe when we see her we'll make a last-second decision.
Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
There are times when you're working with film people when you have to say, 'If the camera were on you, what you're doing would be perfect'.
When it comes to our 'Jai ho,' the song became a super hit because of the composition of Rahman... He made the tune.
People can see you on TV sloshing paint around with big four-inch brushes, and I learned to talk to camera in a friendly voice, not talking down to people, just explaining what I was doing. People like Picasso, Van Gogh, and Rembrandt did not have a weekly TV programme where people could see them painting.
Soaps are great. You learn to work very fast - some say superficially, but that's not really true. You do some very serious character work. I've never had any feelings about a stigma attached to it, and nowadays there seems to be less snobbery about what you do. More and more big names are doing TV and commercials and voiceovers.
In 2014, I composed the music for 'Jai Ho' which premiered in Dubai and I was a 23-year-old kid back then.
I am very happy with 'Jai Ho' from 'Slumdog Millionaire' getting the Golden Globe. It means a lot for Indians and the music here.
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