A Quote by Sana Khan

When I came into the film industry, I was so naive and confused and had no idea about how a heroine should work. — © Sana Khan
When I came into the film industry, I was so naive and confused and had no idea about how a heroine should work.
I was starstruck and completely confused; making a film of this story hadn't even occurred to me, and I hadn't written a single line of the book yet. I had no idea how this man knew anything about my book proposal.
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
I want Punjabi film industry to make it's way into the text books, so that when children read about this industry they should know how it reached to its glory.
I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
I wanted to make money very fast, and I was completely confused after college. I didn't know what career options I had. And then I had this entry point in the film industry, and I thought, 'If this is where the fast money is going to come from, let's see how it goes.'
I just remember when I came out of film school - and I loved film school - that the industry was such a mystery. How to break in, and once you are in, how to make a film; that is such a large undertaking. There are thousands of pitfalls.
Fleabag knows men and women are equal and should be treated as such, but what she's confused about - and what I was confused about - was the idea that wanting bigger boobs doesn't mean you don't want equal rights.
My connection to 'Aquaman' came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.
Rarely do heroine-oriented films happen in the film industry.
Ronald Reagan came from show business. His idea of how the government should help the homeless was like your agent. "We'll try to get you work. But don't bug us about it."
This industry is in a hurry to gain solid results. They expect a hero or a heroine to get intimate on the first day of meeting for the good of the film, which is against my temperament. I draw a line, which the industry doesn't like.
Learning how to do some of the technical work on the film can be helpful too and allows you to start the film on your own. However, if you are passionate about an idea, just begin.
I knew nothing about the independent film industry. I didn't know much about the industry itself. All I knew was how to watch movies, how to enjoy them, how to hate them, how not to like them.
I thought, 'Okay, what's going to be my edge, and how am I going to define what I'm doing differently?' Once I had that key idea of the software developer as an artist, once I had that idea, a whole bunch of other ideas flowed from that, because I realized that I need to go study the music industry, I need to study the book publishing and Hollywood and figure out how they do things, why they do them that way, and then I need to borrow, and rearrange, the things that they're doing to fit my industry so that I can invent and create this new industry.
Peter Jennings came to us and said to make a PSA, 'Let's Talk About AIDS.' But I was naive about how the virus is contracted - until Magic Johnson came out. I'd stereotyped it, thinking it was a gay disease, a white man's disease.
I never stopped being a heroine. I began acting when I was four and bagged my first film as a heroine at the age of 15.
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