A Quote by Sana Khan

I don't know why there is so much noise on doing intimate scenes. — © Sana Khan
I don't know why there is so much noise on doing intimate scenes.

Quote Author

I had a lot of inhibitions where I was not comfortable doing intimate scenes.
I don't find intimate scenes more difficult than other scenes.
My character Saurabh Singhania is a rich, bad guy who is driven by revenge, so much that you feel like scratching his face or throwing stones at him. The intimate scenes in the trailer are creating quite a buzz... I wish they had shown more of the story instead of the sizzling scenes. The film is not about boldness or intimacy.
How long will we show birds and bees in love scenes? The world has moved on and we should portray intimate scenes realistically.
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
There's a lot of noise in the world. And one of the beautiful things about doing theater and film is the absence of that noise or, perhaps, the adding of that noise where it's helpful in telling the story. I'm always trying to get rid of that noise. The more you do it, the better you get.
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
'How' is a great thing to know. 'Why' is the ultimate. I'm the 'why' coach. Why are we doing this? Why are we not doing that? Why is this not working? Those are the things I want to know.
You don't even really get used to doing scenes where you have to kiss, or be particularly intimate, with another person who's not actually your lover in real life.
Intimate scenes are always super awkward - and that is the truth. I know everybody says it, but it really is true.
There's a bizarre comfort and safety in doing your last and most intimate scenes with the actor you've worked most closely.
When everybody is playing at the same level, there's so much more noise. And there's less incentive for the people who should be rising above that noise to take time and invest in what they're doing. It just becomes about hustling and grabbing attention.
I think when you get on with the actors that you're working with, even if you do have really intimate scenes, as long as you get on well, and have a bit of a laugh while doing it, then it's fine.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
I've killed hundreds of teenagers. Hundreds. And I didn't know why. Why did I enjoy doing it so much? Why? And then I realized - I had a teenager at home!
To do a comedy team, it requires so much extracurricular stuff, so much compromise, so much intuitiveness to know what the other guy is doing. That's why it's so hard to do it.
This site uses cookies to ensure you get the best experience. More info...
Got it!