A Quote by Sanaa Lathan
My characteristics [of Ideal Black Man.] aren't as specific. I'm more general. I'm more like, I have to be able to talk to him. You know, we have to have good communications. He has to be interested in the world. You know what I mean. Like interested in learning and adventurous and curious, 'cause that's what I am. He has to be passionate about something. And it would be nice if he had a job. It's not like he has to have an MBA.
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It's botherin' me, man. You know, you can't say this, you can't say that, I'm like, well, how am I gonna talk about the world? You know? I mean I need to talk about something to you all, can I - can I do it? Can I talk to y'all? I mean, I hope the kids are in bed, you know, because I got to talk, y'all.
Like many writers, I'm usually more interested in reading about authors than their actual works. We're more curious to know how they were written than what they are like to read.
I don't know if it's more acceptable or if black men are more comfortable. Black men certainly are more comfortable with it. I don't know that society, like white society loves it or black women. When you see a black man with a white woman there is a feeling that you have and I think the feeling is an instinctual feeling of you want her you don't want me. I don't look anything like her, so you don't like. You know what I mean? Something like that. It's a real instinctual primal thing.
I am a writer who is definitely working with a specific language and more than English, that language is American. And I work very much in idiom and am very interested in the play of different kinds of rhetoric, whether it is the more high-flown stuff that reeks of age. I love to juxtapose something like that with something more current or urgent. I am always interested not in America by itself, but America as an idea and how that idea has changed over time, in the eyes of the rest of the world and in the eyes of Americans.
Targeted ads, I think, are useful because I don't want to see all the crap. I'm not interested in buying a Mercedes Benz, but I am interested in buying a new MacBook Air. So if organizations like Facebook can actually make the ads more relevant to me, if they know what I am interested in, I have no problem with that.
I think, a lot of times when you meet someone, you feel like you need to appear like you're not interested in them so that they'll be more interested in you. But what happens when you start showing him that you actually like him? What's he gonna do then? Play the tape forward; how do you keep a guy like that? I don't want to sign up for that.
I like it when people are kind and I like people who are looking for collaborators. Sometimes you can feel like a moving prop, and that could be amazing, you can be a prop in somebody's incredible vision, but I'm more interested in people who are looking for actors they can collaborate with and make something together with. I like stretching myself, I like trying new things out, but I'm really interested in working with directors who have a very specific style and a unique way of working.
And increasingly - you know this and so do I we're losing the youth everywhere. They hate us; they are not interested in having more fears and guilt laid on them. They're not interested in more sermons and exhortations. But they are interested in learning about love. How can I be happy? How can I live? How can I taste the marvelous things that the mystics speak of?
My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.
People were like, "Someone who made a song like this, there has to be more to them. I'm interested in hearing how they would describe something else." So my flow has matured, my voice has matured, the content has gotten more descriptive but at the same time we still talk about a violent reality that exists in the world which is why this is a supplement to the Revolutionary series and it's not a part of it but it's the same Immortal Technique.
Whenever I’m interested in something, I know the timing’s off, because I’m always interested in the right thing at the wrong time. I should just be getting interested after I’m not interested any more.
I'm not really interested in rappers who talk about rap. I don't talk about it, and I don't like listening to other people talk about it. So I stick to the things that I know. You know, things like cars, ultimate fighting. I have a lot of songs about cars, because they're a big part of my lifestyle.
People are interested in certain ideas, in certain periods, and then that moves, and okay, now people are more interested in studying this, and there is no perfect balance, and how would you know what the perfect balance is? I mean, what does it mean to have too many Beethoven chairs and too few Stravinsky chairs? I mean, that's kind of a value judgment that isn't really based on humility. We don't know what the optimum number is, so let people figure this out on their own. People are more interested in Beethoven than Stravinsky? Great! Why would that bother me?
Personally, I like to think my brother is having a college experience like they do in the movies. I don't mean the big fraternity party kind of movie. More like the movie where the guy meets a smart girl who wears a lot of sweaters and drinks cocoa. They talk about books and issues and kiss in the rain. I think something like that would be very good for him, especially if the girl were unconventionally beautiful. They are the best kind of girls, I think. I personally find 'super models' strange. I don't know why this is.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
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