A Quote by Sanaa Lathan

When you're on a set it can be very tedious and slow. It's just not as big as when you see it on film. — © Sanaa Lathan
When you're on a set it can be very tedious and slow. It's just not as big as when you see it on film.
And film acting is incredibly tedious, just by its nature. It's incredibly, mind numbingly slow.
Film is like tech starts on the first day of filming and it never stops. There's never a moment when the audience comes in, you're just in tech forever, and I can't stand being on a film set. It's really tedious.
My experience of children on a film set, especially on a big film set like the 'Potter' one, is not wholly positive.
If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
For me, there's one film at a time, and my only benchmark is that my current film should be better than my last one, and I've made sure of that. If you Google the trailer of my first film - which I request you not to - you'll see the vast change in my approach towards my profession and the slow gain of maturity in performing.
When it comes down to the song writing, I'm just very slow - very slow. Because the songs are about my life, so I'm doing emotional work on myself.
If you give the boss all the decision-making power, they see the world through their eyes. The big innovations are generally such a shift that they won't see it. For a long time, it looked like it was just inevitable that you would get slow and bureaucratic.
No matter how fast or how slow you get to the quarterback, it all goes to slow motion when you get there. Everything just stops. You don't see anything but the quarterback. You don't hear anything but the quarterback's breath. It's almost like you're a shark. Your eyes get real big and everything's just quiet.
I'm very troubled when editors oblige their film critics to read the novel before they see the film. Reading the book right before you see the film will almost certainly ruin the film for you.
'Slow West' is a film that I did with Michael Fassbender in New Zealand and Scotland. The director was John McLean. It's a film set in the 1800s. I play a young Scottish boy brought up in the royal family. I fall in love with someone who works on our land.
The thing is: I was quite slow when I was younger. I might have been smart - I don't know - but I was slow talking to people. And as you can see, I don't talk very loud.
I think the biggest challenge was being aware of a certain audience that was going to see this film [lone survivor]. There's a big difference from a typical movie, journalists and critics and film goers that go see it find that, that's the general experience you have as a filmmaker. So that just kind of proves my point that there's a really different audience.
It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable.
It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable
A royal garden is a very big place for slug, because slug is too slow, but it is small for a swallow which is too fast! Universe is a very big place for us simply because we are too slow! The day man becomes a swallow, universe will get smaller!
I'm not expecting a big sell-off but I do think that if we don't have a move toward economic growth and policies that will promote economic growth and get us out of this 2 percent world - we really need to see 4 percent, 5 percent - to see jobs created, and if we don't see that longer-term, yeah the market will sell-off...[but] I do think things are getting better. It's just been very slow.
This site uses cookies to ensure you get the best experience. More info...
Got it!