A Quote by Sanaa Lathan

My dad is a director/producer and my mom is a dancer; she performed with Alvin Ailey, but I didn't even think about becoming an actress. — © Sanaa Lathan
My dad is a director/producer and my mom is a dancer; she performed with Alvin Ailey, but I didn't even think about becoming an actress.
I wanted to be an Ailey dancer. I would watch Alvin Ailey videos over and over, and I'd picture myself doing that. I was obsessed with it.
My dad is a successful television producer, director and writer, and my mom's a director and writer. Even when I was young, I wanted to be an actress.
As long as there are dancers around who love to dance, there will be an Alvin Ailey American Dance Company. We miss him so much, but he's alive as soon as you see a dancer hit the stage.
DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape.
My dad is a successful television producer, director and writer and my mom's a director and writer.
I hope the next actress offered millions to play the 'fat girl for the day' stops to think about this before she signs the contract - even if just to ask, like any professional actress would in any other situation, 'Why does she weigh 350 pounds? And why me for the part?' If the director can't answer these questions, don't do the movie.
My mom was a professional. My dad and mom met each other in a movie called 'New Faces of 1937.' My mom went under the name Thelma Leeds, and she did a few movies, and she was really a great singer, and when she married my dad and started to have a family, she sang at parties.
I grew up in a very musical household. There was music and dance. My great-grandma was a famous tap dancer in the '40s, my mom was a dancer, she met my dad on the road when he was on tour in the '60s. Music is my heart and soul, it's my love.
My dad's a filmmaker, and my mom's an actress. She was the original understudy, actually, for Harper in 'Angels in America' and did the show for about several months while she was pregnant with my older brother. And so I grew up obsessed with film and filmmaking.
Even though my mom herself was anxious, I think she didn't know how to deal with it in her kid, and my dad just had no conception of what this was about, and sort of didn't even want to acknowledge it.
Dad and Mom were frustrated artists - Dad wanted to study engineering or architecture and Mom wanted to be an actress - but the world was a different place when they were young so Dad became a public works foreman and Mom became a stay-at-home mom. When I said I wanted to be a writer, they were thrilled. They did everything in their power to support me.
I never thought about becoming a director or producer.
As an actress I knew I had to control my weight gain somehow as any director or producer would like to sign in a svelte actress.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I was raised by my mom. My dad was always traveling, but she allowed me and encouraged me to be close to my dad. So I grew up with three parents: my mom, my dad and my stepmom. Ninety percent of the time I was with my mom, and 10 percent was with my dad.
I learned a lot about filmmaking from my dad. Starting when I was a child, I would listen to my dad as an actor, writer, director and producer talking about films - you know what the treatment would be in the opening, in the middle, and in the ending.
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