A Quote by Sanam Saeed

I like method actors who don't focus on the glamorous side, but on realistic acting. — © Sanam Saeed
I like method actors who don't focus on the glamorous side, but on realistic acting.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
Most American actors are taught the Stanislavsky method... Method acting, but I really think that as an actor you have to develop what works for you. There is really not one way of doing anything. There are many ways of achieving the same goal.
I think in the past, around the time that method acting became so prevalent, it used to be that American actors were thought to be the kind that would work more from the inside out, and that the English actors worked more from the outside in.
I consider myself a method singer, not a method actor. I applied method acting to singing.
Method acting is a label I don't really understand, because there's a method to everybody's acting.
People who complain often say things like, 'I'm not being negative, I'm just being realistic.' Really? How is it anymore 'realistic' to focus on and talk about things that discourage us and make us feel bad, than to focus on and talk about the POSITIVE aspects of life that make us feel GOOD? Both area equally REALISTIC, but which you choose to dwell on has a very different impact on the quality of YOUR life.
I think people have a misinterpretation of Method acting, because Method acting is a wonderful thing. The thing is, if you take it too seriously, it's like religion. You start to think it's the truth. But it's not the truth. It's just a way to get somewhere.
We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.
I'd love to perform with other actors and act with actors, true actors. I would like to be in a movie and have full room for acting.
Acting requires focus, too, but acting doesn't, you might say, demand focus. When you're in the ring you don't even have to think about focus because the danger is so imminent. Imminent. You train and you prepare and then the adrenaline kicks in and drives you into focusing intensely. You'd better focus, right? Or else you'll make your exit on a stretcher.
I am proud to say I'm a director's composer. People do method acting, I do method composing. I like to get into the skin of the character and go deep into the director's vision.
I want to show people what it's really like to be in this industry. Because they only really see one side - the glamorous side - but there's so much more to it.
People use the Method as a shield; it shields them from being vulnerable. I hear all these young actors who are like, 'I'm Method, I'm gonna go live in the house, you know, I totally get it, I've done it, I've been there', but one thing I know is it kills spontaneity.
But the focus for actors is always towards acting. It is very obvious that they don't need to have training in professional music.
You have to be realistic. Not everyone is going to like you, so you have to focus on the ones who do.
I've dealt with a few method actors, and I don't know if should say this, but I think it's a bunch of nonsense. I think it's film acting and you just have to be on when the camera is rolling.
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