A Quote by Sanam Saeed

In films, usually we see romantic relationships between a hero and a heroine all the time. But we rarely see love between the older generations. — © Sanam Saeed
In films, usually we see romantic relationships between a hero and a heroine all the time. But we rarely see love between the older generations.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once.
In Hollywood most of the films we see are all about the relationships between lovers, but as massively important as that is in someone's life, my relationships with women have always been really dramatic and powerful.
That is the great distinction between the sexes. Men see objects, women see the relationships between objects.
I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.
The purpose of romantic relationships is to encourage you to grow spiritually. Romantic relationships can do this because they are interactions in which you come to see those parts of yourself that are constructive, healthy and creative. You see them because you project them onto someone else.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
There are no different categories of love. There isn't one kind of love between a mother and child, another between lovers, and another between friends. The love that is real is the love that lies at the heart of all relationships. That is the love of God and it doesn't change with form or circumstance.
The boundaries between you and not-you — what lies beyond your skin — relax and become more permeable. While infused with love you see fewer distinctions between you and others. Indeed, your ability to see others — really see them, wholeheartedly — springs open.
I would love to take control of the entire universe and for five years you give every movie the same widespread distribution no matter what movie and see if there's a real discrepancy between people coming to see science-fiction films or superhero films. I seriously bet there would be no discernible difference.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
Sibling relationships figure in a lot of my books. You don't often see relationships between adult siblings explored in fiction.
I like to see myself as a bridge builder, that is me building bridges between people, between races, between cultures, between politics, trying to find common ground.
Relationships between writers and publishers are of course very strange and change all the time, rather like a see-saw.
When I was in my 20s and 30s, there was such a variety and diversity of types of films that you could see. So many of them were really more about the human condition and about relationships between people, and they were smaller films that had a much greater impact on me as a human being.
The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.
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