A Quote by Sander Levin
I was essentially trained by World War II vets who combined a progressive view of life with a deep distrust of anything authoritarian.
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Growing up during World War II certainly affected my whole view of life, but I hardly know how, it goes so deep. What's hard to explain now is that, though we were never invaded, and bombed only once and ineffectively on the coast of Oregon, everybody in the country was in that war. Everything we did was influenced by it - eating, traveling, dressing, thinking - everything in daily life.
World War II made war reputable because it was a just war. I wouldn't have missed it for anything. You know how many other just wars there have been? Not many. And the guys I served with became my brothers. If it weren't for World War II, I'd now be the garden editor of The Indianapolis Star. I wouldn't have moved away.
It's important to remember that World War II was experienced very much as a continuity in that sense. Most of World War II in most of Europe wasn't a war; it was an occupation. The war was at the beginning and the end, except in Germany and the Soviet Union, and even there really only at the end. So the rest of time it's an occupation, which in some ways was experienced as an extension of the interwar period. World War II was simply an extreme form, in a whole new key, of the disruption of normal life that began in 1914.
The casualties in the Civil War amount to more than all other wars - all other American wars combined. More people died in that war than World War II, World War I, Vietnam, etc. And that was a war for white supremacy. It was a war to erect a state in which the basis of it was the enslavement of black people.
All of us who grew up before World War II are immigrants in time, immigrants from an earlier world, living in an age essentially different from anything we knew before.
Why should Americans care about the Nazi back story in World War II? If you don't have the Nazi back story in World War II, World War II is simply not comprehensible.
However, there is a fundamental difference between the issue related to Japan's history and our negotiations with China. What is it all about? The Japanese issue resulted from World War II and is stipulated in the international instruments on the outcomes of World War II, while our discussions on border issues with our Chinese counterparts have nothing to do with World War II or any other military conflicts. This is the first, or rather, I should say, the second point.
After every major conflict - World War I, World War II, Korea, Vietnam, the fall of the Soviet Union - what happened was that we ultimately hollowed out the force, largely by doing deep across-the-board cuts.
One began to hear it said that World War I was the chemists' war, World War II was the physicists' war, World War III (may it never come) will be the mathematicians' war.
When I created the Grisha, it was important that they be powerful but that they kind of represent the Jewish brain trust that developed before World War II and after World War II in the U.S.
Trump is the first post-World War II American president to view the burdens of world leadership as outweighing the benefits.
I think in many ways, the Spanish Civil War was the first battle of World War II. After all, where else in the world at this point did you have Americans in uniform who were being bombed by Nazi planes four years before the U.S. entered World War II? Hitler and Mussolini jumped in on the side of Francisco Franco and his Spanish nationalists, sent them vast amounts of military aid, airplanes, tanks - and Mussolini sent 80,000 ground troops as well - because they wanted a sympathetic ally in power. So I think it really was the opening act of World War II.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
Wars of necessity are essentially unavoidable. They involve the most important national interests, a lack of promising alternatives to the use of force, and a certain and considerable price to be paid if the status quo is allowed to stand. Examples include World War II and the Korean War.
In my experience, the men of World War II, the vets of Vietnam, even guys coming back from Iraq, are loath to talk about their experiences. And the survivors of the Holocaust, particularly, are often very close-mouthed about their stories, even to their own children.
People that spend time in a foxhole - they're never going to find that relationship anywhere else again... Everything else pales next to that. When you think about the Second World War vets - more than even the Vietnam vets - there's a brotherhood.
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