A Quote by Sandra Bernhard
I feel like you've gotta be able to get up every night in front of a live audience. Whether it's 10 people or 50 people or a hundred people, whether you're in a rock band or doing the comedy circuit.
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I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
I like to go out there and be organic and improvise off the energy I feel from the crowd, whether it's 50,000 or 20,000 or 10,000 people in the audience.
Even if I'm doing a show and there's five people in the audience and the sound system is terrible - I mean, it's been a while but I've certainly done those kind of shows where it's just every conceivable thing is against you - you still have music. It's still something that's real whether there's five people in the audience or a hundred thousand people in the audience. And that's always been there for me.
Whether it's five people or 50,000 people, I always love to perform and feel very blessed that I'm able to do that.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
Things like Kitchen Cabinet, I'm not sure they necessarily tell the Australian people whether you have judgement, whether you have discernment, whether you have intellectual acuity, whether you are able to develop policy, whether you are able to represent individual cases to the highest levels of government successfully and in a manner that actually achieves outcomes.
This is what I do to keep my head screwed on semi-straight and keep my heart open. Whenever I sing, that's why I sing. Whether it's at the Grammys, whether it's in the bathroom, whether it's in front of 10,000 people or three people, by my guru's grace, my head stays in that place.
I really enjoyed multicamera comedy. You film in front of a live audience, and it's kind of the best of both worlds. It's like doing a one-act play every week, but if you screw your lines up, you get to do it over.
Wrestling was like stand-up comedy for me. Every night I had a live audience of 25,000 people to win over. My goal was never to be the loudest or the craziest. It was to be the most entertaining.
I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you.
I'm more comfortable performing in front of 50,000 people than five people - it's easier. When there's that many people, I feel like I'm alone. When I perform in front of only a few people, it's scary.
I had a very active imagination as a kid, and I was constantly performing, whether I was making money doing it or not, whether it was on a stage in front of 1,000 people or in the living room in front of my family.
Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.
I think people have a clear idea of my style of music I want to do, which is rock, but it's not heavy rock. It's more rock that is feel good and makes you feel something, whether or not that's heartache and pain or it feels like a celebration.
I've done bingo halls and tents in front of 10 people with a cow mooing in the background. Doing that and then going to WrestleMania and the Superdome and wrestling in front of 80,000 people is night and day.
Just do exactly what it is that makes you want to do what you do. The stuff I listen to in my private collection, it's what moves me, makes me want to play. I want to make other people feel like I feel when I listen to that music. Whether other people like it or criticize it - even if there's only 10 people on the planet that love it, you're touching 10 people that way.
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