A Quote by Sandra Bernhard

I can't tell you 100 percent what makes a relationship work. But I can see something good coming and I can see something bad coming. — © Sandra Bernhard
I can't tell you 100 percent what makes a relationship work. But I can see something good coming and I can see something bad coming.
You come to our stadium and look at the aura of 100,000 people. You look up there and see an Army tank coming at you. You see it on a TV screen, it's one thing. You see it at a movie theater, that's something else. When that thing's coming at you 70 feet high and 180 feet long, now that looks like a tank.
Often, I go and see films where I can see the beats coming. So, if I read something where I don't see the beats coming and it takes me somewhere unexpected, that's a great thing to build upon.
You can sit and write in your room all you want, but until other people see it, until you see it produced for television or film or something, you're not 100 percent sure if what you wrote is actually going to work.
Even when you know something bad will happen, you still might not see it coming.
It's not nuclear physics. You always remember that. But if you write about sports long enough, you're constantly coming back to the point that something buoys people; something makes you feel better for having been there. Something of value is at work there...Something is hallowed here. I think that something is excellence.
It gives you confidence when you see new players coming in, it makes you think something is happening at the club.
While it may be a really trying, weird time for the art world, I see good work all the time. If you just go around to that many galleries, and if you stay open, you're going to see work with enough energy and surprise. I don't think I've ever gone to the galleries without coming home thinking, Gee, I now know something I didn't know this morning.
Now, what is it which makes a scene interesting? If you see a man coming through a doorway, it means nothing. If you see him coming through a window - that is at once interesting.
I suppose when you do it correctly, a good introduction and a good outro makes the song feel like it's coming out of something and then evolving into something.
We get to go out into the schools and work with the kids on connecting them to their food at a young age, to actually see where their food is coming from, to see that their food is coming from the earth and not just from a supermarket. Once they make that connection, they can start to build upon that.
The values my mother taught me were like, if you're going to do something, don't half-ass it. I remember her literally saying that to me. Like the first time I ever heard the term half-ass was coming from my mother's lips. I was probably 8 or 9. If you're going to do something, go ahead and throw 115 percent at it, and if you get 100 percent back, well, there you go - you're perfect.
Begin within. If it shows up in your life, it's coming to tell you something about you that you're acting like you don't know. Something about yourself, or your relationship with God.
For me, coming to work and laughing is so much more preferable than coming to work and having to cry over a corpse or something. That's a drag.
Sometimes an actor doesn't sell an idea 100 percent. It just sounds like something that's coming out of their head. You can hear the gears whirring and they're trying to think of what the smart approach is to getting a line across.
We never have 100 percent certainty. We never have it. If you wait until you have 100 percent certainty, something bad is going to happen on the battlefield.
Let me tell you something about dying: it's not as bad as they says. it's the coming-back-to-life part that hurts.
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