A Quote by Sandra Boynton

There always seems to be someone looking over your shoulder - just waiting for an opportunity to lecture on The Darker Side of Chocolate — © Sandra Boynton
There always seems to be someone looking over your shoulder - just waiting for an opportunity to lecture on The Darker Side of Chocolate
Who do you hang out with?" Natalia asks, looking over my shoulder. She's always done that. Wherever you are, whoever you are, she'll always look over your shoulder to see if there's someone more exciting to speak to. It used to make me feel paranoid.
I keep warning and warning, and nobody seems willing to listen. One of these days someone is going to wake up to the fact that I'm serious when I say never to attack my sister without looking over your shoulder for me. (Rhoan)
Somebody just back of you while you are fishing is as bad as someone looking over your shoulder while you write a letter to your girl.
When someone is always looking over their shoulder, they're more likely to trip.
Writing feels safe, you know, it's a hard job, but at least you're in your office or wherever you are and there's no one standing over your shoulder staring at what you're writing. And when you're directing, everybody's looking over your shoulder.
If you're good, you're always looking over your shoulder.
I think that if you're doing a new musical, you want to have the opportunity to experiment and try things without the whole city of critics looking over your shoulder.
I've always been attracted to the darker things in life. I was never one to go for light, airy stuff, even as a child. My whole aesthetic has always been one of the darker side. That rings true also in my tastes in music. It's just always something I've gravitated to naturally.
Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.
Man is always looking for someone to boast to; woman is always looking for a shoulder to put her head on.
One of my early childhood memories was my grandmother always having a bowl of Nestle chocolate bars at her house. My sister and I would argue over who could eat the chocolate bars. Looking back, I don't know why we just didn't share. We could have split them.
With the world's fate resting on your shoulder - you're gonna need someone on your side. You can't do it by yourself any longer - you're gonna need someone on your side.
You must be unintimidated by your own thoughts because if you write with someone looking over you shoulder, you'll never write.
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
The darker the chocolate is, the more antioxidants it contains. So when eaten in moderation - just a few bites from a well-made dark chocolate bar, for instance - there's no need to feel bad about indulging once in a while.
I love the opportunity to use my full range, and so playing in the comedy 'Black-ish' gives me the opportunity to show my lighter side, and playing in this beautiful, elegant horror story of 'Hannibal,' I get to use my darker and more cerebral side. It's really wonderful.
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