A Quote by Sandra Brown

You can only write by putting words on a paper one at a time. — © Sandra Brown
You can only write by putting words on a paper one at a time.
I think if you have the compulsion to write, you're not going to feel whole until you start putting words on paper.
Writing doesn't mean necessarily putting words on a sheet of paper. You can write a chapter while walking or eating.
The hardest part for me during the creation stage is actually putting words on paper that make sense and tell my story the way I see it. I sometimes feel I am slogging through quicksand when I write.
If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.
Work. Write. Read. Keep putting words on the page, because that's the only way you'll get better.
The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them.
The minute you start putting words on paper you're eliminating possibilities.
To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence-- words you have dreaded and needed in order to know you exist.
No complaining about how hard it is to write, we are all so, so lucky to write, to sit down, inside, and write words on paper. There is no greater freedom, no greater good, nothing that brings more joy.
I would run into the corner store, the bodega, and just grab a paper bag or buy juice - anything just to get a paper bag. And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook.
Putting words on paper regularly is part of the necessary discipline of writing. A journal is a great way to do that.
I consider the process of gestation just as important as when you're actually sitting down putting words to the paper.
A lot of people think they can write poetry, and many do, because they can figure out how to line up the words or make certain sounds rhyme or just imitate the other poets they've read. But this boy, he's the real poet, because when he tries to put on paper what he's seen with his heart, he will believe deep down that there are no good words for it, no words can do it, and at that moment he will have begun to write poetry.
We all have time to write. We have time to write the minute we are willing to write badly, to chase a dead end, to scribble a few words, to write for the hell of it instead of for the perfect and polished result.
The single most important technique for making progress is to write ten words. Doesn't matter if you're badly stuck, or your day is completely jam-packed, or you're away from your computer - carry a small paper notebook and write a sentence of description while you're waiting on line at a coffee shop. I think of this as baiting a hook. Even if you have a few days in a row where nothing comes except those ten words, I find that as long as you have to think about the novel enough to write ten words, the chances are that more will come.
The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. A young writer must cross many psychological barriers to acquire confidence in his capacity to produce good work-especially his first full-length book-and he cannot do this by staring at a piece of blank paper, searching for the perfect sentence.
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