A Quote by Sandra Brown

For each book, there's a back story of where the idea came from. Sometimes it's derived from a current event or topic of discussion, such as 'Deadline.' — © Sandra Brown
For each book, there's a back story of where the idea came from. Sometimes it's derived from a current event or topic of discussion, such as 'Deadline.'
For each book, there's a back story of where the idea came from. Sometimes it's derived from a current event or topic of discussion. Often it begins with a character. And often, I have NO idea what sparked the idea. It's just there.
I am a lay historian by nature. I seek out an empirical reflection of what truth is. I sort of want dates and motivations and I want the whole story. But I've always felt, unconsciously, that all human history is that connection from person to person to person, event to event to event, and from idea to idea.
The value of a story like 'Deadline' is kids get to look at death at the perfect distance. They can put the book down. They can experience the story, rub up against it, but it's not real life.
We all dream dreams of unity, of purity; we all dream that there's an authoritative voice out there that will explain things, including ourselves. If it wasn't for our longing for these things, I doubt the novel or the short story would exist in its current form. I'm not going to say much more on the topic. Just remember: In dictatorships, only one person is really allowed to speak. And when I write a book or a story, I too am the only one speaking, no matter how I hide behind my characters.
That has been my entire life story, running against the current and running with the current. Sometimes running with the current is underestimated.
And sometimes, he was less lucid. He'd run around his cell like a caged animal; he'd rock back and forth; he'd swing from topic to topic as if it was the only way to cross the jungle of his thoughts.
That has been my entire life story. Running against the current and running with the current. Sometimes running with the current is underestimated. The acceptance of certain realities doesn’t preclude idealism. It can lead to certain breakthroughs.
The premise of 'Deadline' forced me to go against my own grain with a character determined to find all that is valuable in that time. I believe this is a story about redemption; how, even with the best intentions, it's sometimes found and sometimes not.
I've had to write a column an hour after I've come back from a funeral. A deadline is a deadline, I mean, that was just what my job was.
There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.
I've never signed a contract, so never have a deadline. A deadline's an unnerving thing. I just finish a book, and if the publisher doesn't like it, that's his privilege.
I met a bunch of comic-book writers at the Metropolis convention and there was such an interesting discussion about the story of 'Supergirl' and trying to get it right. It can be a challenge, because you don't want it to be the same as the Superman story.
Sometimes they were together so often that it felt as though they really were a couple; sometimes weeks and months would go by before they saw each other. But even as alcoholics are drawn to the state liquor store after a stint on the wagon, they always came back to each other.
I think every person has a unique story to tell and we each have the different life events that happen to us and sometimes we may feel sympathetic toward a certain aspect of that life event.
The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!
Trinkets' is based on a book, so sometimes to take one book and spread the story out so much doesn't really do the story justice. Everyone just decided that two seasons would be the perfect amount of time.
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