A Quote by Sandra Brown

'Slow Heat in Heaven' was my 'breakout' or 'crossover' book, and I loved the freedom I felt writing it. — © Sandra Brown
'Slow Heat in Heaven' was my 'breakout' or 'crossover' book, and I loved the freedom I felt writing it.
I wrote the Dickens book because I loved Dickens, not because I felt a kinship with him, but after writing the book it seemed to me that there was at least one similarity between us and that was that Dickens loved to write and wrote with the ease and conviction of breathing. Me, too.
My first book is really about heat. That book, for me, was an exploration of heat as ingredient. Why we don't talk about heat as an ingredient, I don't quite understand, because it is the common ingredient to all cooking processes.
My only writing ritual is to shave my head bald between writing the first and second drafts of a book. If I can throw away all my hair, then I have the freedom to trash any part of the book on the next rewrite.
I reached a point where I'd watched enough directors do the job that I felt I understood it. And it's not that I'm a slow learner and it took me this long; I also was enjoying writing, and I still enjoy writing - I get tremendous satisfaction out of the writing end of it.
I feel much more comfortable in politics than I did in book writing. Book writing is so hard. Politics felt easy compared to that.
Most authors liken the struggle of writing to something mighty and macho, like wrestling a bear. Writing a book is nothing like that. It is a small, slow crawl to the finish line. Honestly, I have moments when I don't even care if anyone reads this book. I just want to finish it.
There will be no breakout. When we changed for the single, we never specified what the breakout for sales to streams were.
I was always a slow reader, from the very beginning. I remember in first grade our teacher divided us into groups, and I was definitely in the slow group. She didn't call it that, but everybody in the class knew. But I still loved reading. Being a slow reader affected my grades in school, but it didn't affect my love for reading. I still loved going to the library, and I still loved reading books.
Even heaven would become hell if you were alone in it, or away from a loved one. And even if you were with your loved one, but in hell, eventually you would cry to have you and your loved one together in heaven. So to create your own heaven on earth, make sure you and your loved one are in a place you both LOVE, because what could be heaven for one, could be hell for the other.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
I love writing. I've always written journals. I loved writing the book on living alone.
I think that my first book - I was trying to write the kind of book I would have loved as a kid. So it's sort of, like, a book inspired by my childhood reading and the passion that I felt about reading when I was a kid.
Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
O What A Freedom Is Thine! Freedom from Condemnation. Freedom to the Promises, Freedom to the Throne of Grace, and at last Freedom to Enter Heaven!
In TV writing, I felt like Gulliver being tied down by the Lilliputians. There's so much more freedom in fiction writing.
Unlike television, reading does not swallow the senses or dictate thought. Reading stimulates the ecology of the imagination. Can you remember the wonder you felt when first reading The Jungle Book or Tom Sawyer or Huckleberry Finn? Kipling’s world within a world; Twain’s slow river, the feel of freedom and sand on the secret island, and in the depths of the cave?
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