A Quote by Sandra Brown

Once I started to write, it was like all the lights came on. I was always making up stories in my head. I was a daydreamer. I didn't start as a child, but once I started, I couldn't stop. It was compulsive.
I don't abandon stories once I've started working on them. Once I sit down and start a story, I'll be damned if I'm going to give up on it. But I do reject most of the ideas for stories that I come up with.
I went to a concert once when I was a little kid and ran up onstage, started dancing, started saying anything that came to my head. I was like a little vaudevillian.
I didn't get into Tupac [Shakur] until a little later, once I started understanding rap and people's stories. Eminem was the first rapper that I actually started dissecting the lyrics, and once I got attached to his stories, then I started listening to Dr. Dre, then Snoop 'cause they were all under one camp.
I just started to write because I was fed up of not seeing the stories that I wanted, so I was like “Stop moaning and write something.”
I just started to write because I was fed up of not seeing the stories that I wanted, so I was like 'Stop moaning and write something.'
It's all about his determination. You never, ever, give up once you start something, once you're on the trail of something you don't stop and that's what you have to go through when you're making a movie too. Once the train's rolling, you have to stick with it.
I asked my media teacher, "You can make films out of sequence?" and he was like "Yeah! You can do whatever you want." I just started to write because I was fed up of not seeing the stories that I wanted, so I was like "Stop moaning and write something."
Nothing arrives on paper as it started, and so much arrives that never started at all. To write is always to rave a little-even if one did once know what one meant
Once I became an adult and started to pursue writing as a professional career, I realized my main characters were always young people. My stories naturally center around children and teenagers. I think it's because I have worked with youth for about twelve years. The pains and joys of adolescents are moments I witness on a daily basis, so their stories are always with me as I write.
Once I started writing novels, I understood how hard it was to write really good short stories.
Once in a while, when I first started to write pieces, I would try to write to a reader other than myself. I always failed. I would freeze up.
I dreamt of being a writer once I started to read. I started to write 'Bonjour Tristesse' in bistros around the Sorbonne. I finished it, I sent it to editors. It was accepted.
I'm pretty hardcore. I stick exactly to what I'm doing. So I write a novel in one period, and then I'll write stories in another period. I only work on one thing at once, because I'm afraid that I wouldn't finish what I'd started.
You know, how am I leading my own life? What am I denying? Since I brought such great powers of denial into my adult life, what am I not doing as a husband? What am I not doing as a father? The whole thing started unraveling with me that once I kept it up close to the chest, I could hold it all in, but once I started letting it out, it all started coming out.
I had no inclination to perform as a kid. I was a shy child - I always had my nose in a library book. I didn't start acting until I went to college. Once I started, it seemed to fit like a glove. I felt completely at home on stage. It was the perfect way for me to express myself, even better than writing.
Once I started doing stand-up, everything fell into place. That was when I started acting more; I felt like I'd found my place in the business.
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