A Quote by Sandra Bullock

I need to know how the clock is made after you tell me what time it is. I want to know all the details so I can understand how it works. — © Sandra Bullock
I need to know how the clock is made after you tell me what time it is. I want to know all the details so I can understand how it works.
People think they want to know how magic works, but really they don't. How it works is never as amazing as what the trick was in the first place, so it's never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.
I think we all want to know where we came from and how we fit into the world, but some of us need to know how it all works in great detail.
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
So we want to make it easier to shop and understand products because many people aren't educated about what's offered - do you know your premiums? Do you know your copays? Do you know your deductibles? And so figuring out ways that we help people understand what this is, how it works, and that they can shop to get what they need.
I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.
When I ask, “How are you?” that is really what I want to know. I am not asking how many items are on your to-do list, nor asking how many items are in your inbox. I want to know how your heart is doing, at this very moment. Tell me. Tell me your heart is joyous, tell me your heart is aching, tell me your heart is sad, tell me your heart craves a human touch. Examine your own heart, explore your soul, and then tell me something about your heart and your soul.
It's important for a director to provide as much information, especially when we're working with things that we have to conceive out of thin air. You can't just expect an actor to understand: 'Oh, there's a dinosaur coming at you". OK, so I'm going to automatically know how big it is and what it sounds like? I need details. How close does he get to me? How tall is he? What will the impact be of his cry when he's screaming at me or when he's blowing smoke or air in my face?
When we talk about sin, we need to understand what sin is. Sin is not God says 'you can't do this' because He wants to take something away from you. He says: "If you do this, it will be death. If you do this, it will be life." And then He says: "Please, choose life, so that you can live. I've made you, I know how you work. I've made this whole Earth, I know how it works. Please, choose life.
I know everything I need to know already," Rigg always said... To which Father always replied,"See how ignorant you are? You don't even know why you need to know the things you don't know yet." "So tell me," said Rigg. "I would but you're too ignorant to understand the reasons why your ignorance is a fatal disease.
Photographers and reporters are mostly after me. They want to know what I read and what I'm like and I don't really know myself, so how can I tell them?
I don't want to know who he's been with or how many [women]. I do want to know that my man is not a virgin, because I want to know that he knows what he's doing. But I don't need to know how he's learned it.
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
I think I learned how it works in the league. When you are outside you don't understand everything, but when you are inside you can know how it works.
... life is broken down into these stages: you're born and you don't know how anything works; gradually you find out how everything works; technology evolves and slowly there are a few things you can't work; at the end, you don't know how anything works.
I want labor to be the point, because everything in our lives is miraculously made with no idea of how it's done. As an active and critical consumer, and as someone who has attempted to make the flawless and failed, I wanted a transparency of construction here. If we know how it is made and how it falls apart, we will know how to rebuild it.
There are lots of cases where we know more about how the world works than we do about how we know how it works. That's no paradox. Understanding the structure of galaxies is one thing, understanding how we understand the structure of galaxies is quite another. There isn't the slightest reason why the first should wait on the second and, in point of historical fact, it didn't. This bears a lot of emphasis; it turns up in philosophy practically everywhere you look.
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